“Seth material” search engine (Jane Roberts)

(Pause at 9:30 in an intent delivery.) The grids of perception that compose your world give you the world picture as you (underlined) experience it because your physical senses put you in a certain position within the entire grid. Animals, for example, while part of your experience, are also “tuned into” that grid at another level. The large classifications of mammals, fish, birds, men, reptiles, plants, and so forth, are [each] an integral part of that larger perceptive pattern—and that pattern (underlined) in those terms had to be complete even in the beginning of your time.

Now in a manner of speaking—though I see that little time has passed in this living room where I speak with Ruburt’s permission—we have transcended time to some extent this evening, for in what I have said there are indeed hints and illusions—cadences—that can, if you are ready, give you a feeling for existence as it is outside of time’s context. Even to try and verbally present such material necessitates alterations involving perception, for while that gridwork appears quite stable to your senses, giving you a reliable picture of reality, this is also because you have trained yourselves to pick up certain signals only. Others at other levels are (underlined) available. You can (underlined) tune into cellular consciousness, for example.

You know you can have more than one dream at a time. You can also experience versions of dreams of probable selves, but there will always be some point of contact—that is, there will always be a reason why you pick up such a dream. All of the dreams people have form a mass dream framework. Dreams exist at other levels, and physically of course they affect the body state. In such ways, the world’s actions are worked out in mass dream communications that are at the same time public and private.