“Seth material” search engine (Jane Roberts)

(The weather is still very warm for this time of year; the temperature is often above freezing in the daytime, and when we do get a dusting of snow it soon melts on the bare ground. This morning I took David Yoder home from the hospital, and this afternoon I took our tiger cat, Billy, to the veterinarian. Billy hasn’t acted well since last Saturday, and his beautiful coat has lost its luster. He had a temperature of 105° when the vet gave him a shot and prescribed some pills. Yet the doctor didn’t really know why the cat is sick. Jane and I wondered what role Billy’s illness might play in our affair with David—surely a way of thinking that would have been quite alien to us before the advent of the Seth material.

(Pause.) All in all, however, we are speaking of a constant creation, even though I must explain it in serial terms. We are discussing a model of the universe in which creation is continuous, spontaneously occurring everywhere, and everywhere simultaneously, in a kind of spacious present, from which all experiences with time emerge. In this model there is always new energy, and all systems are open, even though they may seem to operate separately. Once again, also, we are considering a model that is based upon the active cooperation of each of its parts, which in one way or another also participate in the experience of the whole.

In this model, changes of form are the result of creative syntheses. This model is seen to have its origin (long pause, eyes closed) within a vast, infinite, divine subjectivity—a subjectivity that is within each unit of consciousness, whatever its degree. A subjective divinity, then, that is within creation itself, a multidimensional creativity of such proportions that it is itself the creator and its creations at the same time.