“Seth material” search engine (Jane Roberts)

(To open the session, we sat silently at the board. [...]

(At the board, we said good night. [...]

[...] One of them was a large, vividly colored parrot that I managed to hang from the wooden frame of the bulletin board at the foot of Jane’s bed, so she could see it. [...]

[...] I do not want this suggestion to go by the board, as it will if you simply file the session and ignore it. [...]

[...] Such material began to come through the Ouija board as mostly reincarnational data way back in the second session, for December 4, 1963. [...]

[...] I sandwiched this paper between two pieces of bristol board to prevent identification by touch, and slipped the assemblage into the usual two envelopes.

(This was our second consecutive session without the board, though I had it out simply to use as a handy writing board on my lap. [...]

[...] This is a time of clearing the board. [...]

([John:] “The man in loose clothes—can you tell me is this the son, president of the company or his father, the chairman of the board. [...]

[...] I can let my ability flow outward through my fingertips and brush, so that I create an entirely new reality upon the board.”

[...] This is also good data, and refers to the surface characteristics of the illustration board upon which the job is executed. The board has a pleasing grainy texture typical of such material, and is far from smooth.

The Cézanne book, the show, your own interest in Cézanne, and your own painting abilities are also connected in Framework 2, along with the fact that Cézanne himself had a secondary interest in writing, that fell by the board, so to speak. [...]

[...] It seems that I spring like a genie out of each and every Ouija board. [...]

[...] So I slowly built up a replica from layers of illustration board, and painted it black. [...]

[...] My assistant had drawn the head, though, on a small separate piece of board, and protected it with a piece of tracing paper. [...]

Tom started school a year after I had, and I helped him obtain a room in the same school-approved boarding house that I lived in, with other students. [...]

[...] In line with this, my husband, Rob, and I experimented with a Ouija board late in 1963. [...]

Neither Rob or I had any psychic background, and when I began to anticipate the board’s replies, I took it for granted that they were coming from my subconscious. [...]

[...] In my school days I did not have a drawing table, but worked bent over at a card table in the front upstairs room, with a small drawing board in my lap, resting on the edge of the card table. [...]

[...] He tries to project them upon his canvas or board. [...]

[...] I would not like the matter of the sessions in general, and the subconscious influence question, to go by the board, and in one way or another we must find time for those matters.

[...] I believe, now, if you saw the same results you would each have better sense than to let them go by the board.

This, plus the feelings of the impermanency of the board account for the symptoms.