“Seth material” search engine (Jane Roberts)

[...] The color blue. [...] Blue upholstery, with something like small tacks in it that are indented. A blue chair. [...]

[...] There seems to be some connection, to me, at any rate, between the blue chair and this student. [...]

I have specifically given the blue chair as object. [...]

[...] When Andrew called I went to see him, showing him the two latest communications from Blue Cross, with the new claim numbers for Jane’s account; he copied them, and reiterated that the company was stalling: “It helps their cash flow, but it doesn’t do anything for ours.” A lot of money is involved—millions of dollars, upon which Blue Cross can collect extra interest by postponing their payments to clients, he said.

(“Rectangular object, with some dark coloring, perhaps dark blue. [...] The price and date applied automatically by the register at the top of the bill is in a medium blue ink. Since we have the carbon copy, the handwriting on the bill is in a dark blue or gray. These three points can all be included in the “dark coloring” category, and blue is given specifically by Seth.

[...] Rectangular object, with some dark coloring, perhaps dark blue. [...]

[...] It appears that he’s right so far, considering what our lawyer told me this morning about talking with the hospital, doctors, and Blue Cross.

[...] She said that last night she’d had a brief blue period, in which she’d wondered if she’d ever walk out on the street again, but got herself out of it by saying “cancel” to herself, and remembering Seth’s material.

[...] I stopped at the bank to buy a check and a money order for Blue Cross and the monthly hospital payment on our old bill. [...]

(Jane was “blue and nervous” this morning, but talked herself out of it. [...]

[...] Willy’s hiding under the blue chair or rather, just his head—his rear end is sticking out. [...]

[...] She continues to have much trouble sleeping and getting up, alternated with blue periods, etc. [...]

[...] Twice today we had rather short discussions about our ideas of why the symptoms linger after all these years: nothing new, I’m afraid, although she said she felt better afterward—before getting blue again. [...]

(“The color blue.” As stated the writing on the object is in blue ink. [...]

[...] The tracing is drawn with the same blue pen, my own, that was used to write on the object. [...]

[...] The color blue. [...]

[...] The blue circles are portions of the whole atom to be seen in various systems. [...]

[...] First of all, an impression of an unpleasant occurrence connected with a woman in a blue dress. [...]

[...] (In parentheses: Ruburt thinks of old-fashioned Shredded Wheat cereal cards, that were gray-blue in color.) Connection with four columns. [...]

[...] Once again she’d spoken with what seemed to be considerable effort as she lay on her back, her head propped up on several pillows, her right arm swaddled closely in the blue and white canvas sling that held it close to her side and across her lower chest. [...]

[...] This is separate and the woman here…a strong school connection again…3 o’clock or late afternoon…number 414…now this could be the hour 4:14 or month…I do not know…Green room…202 or 213..whether this is a month or year or house number I don’t know…a grip…a strong grip…in the afternoon…in a room…a woman, gray hair, buck teeth…yellow teeth…She yells out and calls and a young boy comes in blue clothes & bicycle…I think he rides….It’s 1943 or 1947…Room is green…yellow…Room is green…no, cream…yellow…it’s afternoon…..

[...] If you are in a blue mood, or indisposed, of course that is communicated telepathically and otherwise. [...]

[...] It was obvious that she was blue. [...]

[...] Perhaps a blue dress. Or the object that I pick up as a woman is a blue one.

The blue was a reference to the typewriter, which was purchased at the same establishment, when Ruburt eagerly tried to substitute one test item for another, you see.

[...] It is printed in black on card stock, with the serial number in a light blue ink. [...]

[...] Green and an off-blue. [...]

[...] Green and an off-blue. [...]

[...] Physically the day may be brilliant, but if you are in a blue mood you may automatically close yourself off from the day’s natural light, not notice it — or even use that natural beauty as counterpoint that only makes you feel more disconsolate. [...]

[...] No matter how dark your mood on any given sunny day, your individual thoughts alone will not suddenly turn the blue skies into rainy ones. [...]

[...] Now she told me how earlier today she’d imagined herself visiting Enfield Glen.^* She said she did very well thinking of herself walking and climbing around the park and the pool — but then she ended up blue, thinking of all she had to go through yet before she could do those things. [...]

(“Small wavering blue lines. [...] Jane’s corrections on the object were made with a blue pen, which appears quite dark on the yellow paper upon which the poem was typed. [...]

[...] Small wavering blue lines. [...]

[...] I gave him the names and phone number of Kathy Hagen, the Blue Cross supervisor who had seemingly turned down our major medical claim, and read to him the statement as to why that Andrew Fife had given me yesterday afternoon. [...]

[...] He’s already talked to Andrew Fife and Mary Krebs, and visited the head of the local Blue Cross office, on the floor beneath his own office. [...]

[...] 1. Why does Jane often feel blue when she wakes up from naps? [...]

[...] The session should give both of you important hints to release your own creativity, and when Ruburt is feeling blue about something, if he does not discuss it with you, he should write the feelings down at once.