“Seth material” search engine (Jane Roberts)

One of Jane’s earlier travels through an altered state of consciousness, in September, 1972, resulted in the first session on her unique “slow” and “fast” sounds, then led into information on faster-than-light particles, black holes, white holes, and “dead” holes. [...]

Another younger man with a broad, almost Slavic face and short prickly hair, black or brown.

[...] Seth had given him black or brown hair.

[...] Jane and I exchanged our own gifts—candy for her, designer jeans—black and gray—for me [to my great surprise].

[...] Your image was an excellent one and in your terms it represents the characteristics of space as you might relate to it and also to those black pockets of which the physicists are speaking where all realities swooped into these, so to speak. [...]

(“Black and white. [...] The announcement was printed in black ink on white, as is usual. [...]

[...] Black and white. [...]

Now you are both channels, in those terms, for what you might think of as both white holes and black holes. [...]

[...] He was the black hole for awhile then he ran around the other side of the set and became the white hole and the whole transfer occurred through him and the whole thing may have been a symbol and that this occurs back and forth and constantly in all of us all the time.”)

 (To Sue.) You are ready for an excursion into another level of probabilities that you have not visited and so our friend, Ruburt, will expect to see the results in black and white before too long. [...]

(“This afternoon I interpreted some of Rob’s latest dreams, one in particular involving me, beating a black-haired dog on the head. [...]

(“Later when I took a brief nap I mentally imagined myself beating the black-haired dog—and my mental right arm really went bang, bang, bang, banging wooden blocks on the dog’s head really fast, and for a minute I couldn’t stop it. [...]

(I saw the reddish rims of these eyes, and their black lashes with the utmost clarity. [...] At the fringes of my field of vision I saw that the face containing these magnificent eyes was quite hairy, covered by long black shining hair almost as though I was visualizing a throwback to more primitive man. [...] These eyes merely stared back at me from beneath heavy black brows.

[...] The object was a black and white photo of Jane’s father and his deceased second wife, Maxine, taken sometime prior to 1954. [...]

(Briefly, the object is a black-and-white photo of Jane’s father Del, and his deceased second wife Maxine. [...]

It is in black and white, and can be dealt with. [...]

(I told Jane about the very excellent dream I’d had about her last night—in which I’d seen her fully recovered—walking, her hair black again, shopping, going out, meeting friends who exclaimed over her great progress. [...]

When reincarnational studies are embarked upon, on occasion people remember some instance of past-life experience, but conventional ideas of time are so strong that so-called future memory is blacked out.

(At this time also, while trying to visualize a method of diagramming the spacious present, I saw an animated graph consisting of long black jointed sticks thrusting up from a common base, at various angles. [...]

[...] It was in black ‘line’, but also with flat washes of color. For comic books, I had drawn only the black plate. [...]

[...] I thought the head was too small, but well done, quite youthful with curly black hair and handsome features, as one would expect such a magical character to have. [...]

You told me this story the next morning when both young men showed up with black eyes, and Mark with a broken wrist. [...]

[...] She wore short white socks and shiny black patent-leather shoes with a single strap across the instep. [...]

[...] The features do not remind me of anyone I know, although there is a resemblance between them and a black and white ink- and-wash drawing I have for sale at the gallery where Jane is employed afternoons. [...]

[...] The exception is the large AAA seal affixed by hand beneath my typed address; this is in black, embossed on foil. [...]

[...] Jane said this is a personal derivation of hers from the prominent black seal of the AAA, affixed to the bottom of the card, below my name, as described. [...]

[...] See the bottom of page 9. Jane said this is another reference to the heavy, glossy, or shiny black AAA seal affixed to the membership card below my name. [...]

You are seeing shadows upon a blank and a black screen. [...]

[...] In any case the corners seem to have been connected to something else—something dark, I believe; or there is something dark on the corners, perhaps black.

(“or there is something dark on the corners, perhaps black.” [...]

(By way of contrast, I want to add here that this week Jane has been notified by Prentice-Hall of their most enthusiastic reception of her children’s book, Emir. Not only that, it appears that Prentice-Hall may have found at the same time the ideal illustrator for the work; black-and-white copies of sample illustrations have been sent to Jane, done by the female artist, with Tam’s assurances that the color is brilliant.

[...] This is, again—and to some extent—on both your parts, black-and-white thinking.