“Seth material” search engine (Jane Roberts)

I find that in black and white my words may sound harsh. [...]

[...] Black fish, some of them only a few inches long, some much longer, averaging maybe a foot in length. [...]

[...] The pistols were black and long, much longer than pistols today. [...]

The eyeglass dream portion: the old black frames of the glasses represented old beliefs. [...]

[...] The seemingly innocuous injury, which hasn’t even left a black-and-blue sign, is quite painful at times and most inconvenient in regards to various bodily functions involving any sudden movements, as in sneezing, etc.

[...] The color of it is brown, but very dark, so that it appears almost to be black. [...]

[...] It was a week ago yesterday that the finger suddenly turned so dark—nearly black —and I realized something else: the condition with the finger had happened as I explained to Peggy Gallagher how Rob and I had trusted our lives to our intuitions in the flood of ‘72. [...]

[...] Our black cat, Rooney, was scratching at the door of our living room. [...]

(And, very simply, the idea that the “event horizons” of black holes may radiate detectable light could be a step in the unification of some of those forces — gravity and electromagnetism — as they are treated in relativity theory and quantum theory, respectively. [...]

“There was a fountain with an apple on it—do you remember?” (Long pause.) Something about a missal or prayer book, with dates, black, and a connection with a grandfather.

You may perceive the thought patterns as quickly flashing sentences or words that are usually seen within your mind or within the other mind, or as black letters that form words. [...]

[...] But seeing myself transformed more or less into plain black and white words on a page of paper seems dull and uninteresting. [...]

[...] If you saw a dull, gray-or-black-colored envelope, large and in the foreground, this would represent an unfortunate reply, fairly immediate. [...]

[...] Black on red. [...]

[...] Black or red. [...]

Now: in a fashion, for the sake of this discussion (underlined), the blacks as slaves partially represented the great creative, exuberant, unattached, unconscious powers that were to be restrained, at least for a while. [...]

[...] He’s black, by the way.)

[...] I also asked Jane about what use the gorgeous colors of Billy’s luxurious fur are to him if he can’t appreciate those patches and stripes of sienna, black, warm gray, and pure white. [...]

I am referring of course to his “black thing” in quotes, and the struggle. [...]

[...] I speculated about my painting of the Italian woman, as I call her, and about a passage I read recently in Seth Speaks; in it, Seth had mentioned that he’d been a black in Ethiopia. [...]

(With some humor:) Ruburt and Joseph have recently purchased a color television set, so now their television world is no longer in black and white. [...]

[...] There are explorations of emotional content, for example, very difficult to explain, in which intensities of emotion are explored for their own sake, as one might experiment with the values of red or black—not caring what the form of the painting was.