“Seth material” search engine (Jane Roberts)

Your growing understanding, however, began to threaten that framework, for you saw that life itself was an art. [...]

Some of the most sophisticated art is from the past. [...]

[...] Jane was working at the Arnot Art Gallery then, and the two became casual acquaintances. [...]

Give us a moment… There is no civilization, no system of science, art, or philosophy, that did not originate in the mind. [...]

People were not nearly as isolated as it now appears, for in their dreams early men communicated their various locations, the symbols of their cultures and understanding, the nature of their arts. [...]

[...] Symbolically, Seven (Oversoul) was important because the book showed Ruburt the wedding of psychic ability and creative ability, emerging as fiction and art form, and his baby.

[...] When you were doing commercial art you were utilizing some important aspects of creativity, though you were not matured enough to use them except in limited form.

(Pause.) All That Is realized that such a separation would also allow you (pause) to bring about a different kind of divine art, in which the creators themselves created, and their creations created, bringing into actuality existences that were possible precisely because there would seem (underlined) to be a difference between the creator and the creations. [...]

I think that all art is created at that level—that is, with that sense of support that isn’t our own alone but a part of the great force that sustains all of life. [...]

[...] There is other material I will give you later, that is involved here, and purposes in your art you are barely beginning to understand—and with that I bid you good night.

[...] You also picked of course a woman you knew would not want children, but Ruburt felt a division between his biological nature and his art back then.

Now when your idea of truth, or art, or artistic integrity, is connected with detail then the charged areas show themselves. [...]

(Joe Masters is the husband of Dee, who was director of the art gallery where Jane worked for several years. [...]

(For the envelope test I used a pair of name cards made by our friend Bill Macdonnel for his art studio, the Cameron Gallery. [...]

All during this time I was working at the local art gallery in the afternoons. [...]

About a year and a half ago, Seth suggested that I leave my job at the art gallery and give psychic classes. [...]

[...] It is his art. [...]

[...] As a child, couched in the Catholic Church, his poetry was a method of natural expression, a creative art, and also the vehicle through which he examined himself, the world as he knew it, and the beliefs of the Roman Catholic Church.

[...] I’ve organized data with the focus of art in mind as a focus point through which to … perceive the world.

[...] At that time in your development you were afraid of emotions in art to such a degree that you chose in comics to deal with stereotypes rather than individual characters, to follow rigid patterns.