“Seth material” search engine (Jane Roberts)

[...] It is a good idea to write down a list of specific acts or incidents that fill you with a sense of guilt. [...]

[...] The new viewpoint, with its new attractions—helping with work, helping with house chores—these automatically take his mind elsewhere, and act as further stimuli. [...]

[...] Some are urgings not to act in specific cases.”

The business decision today is in its way an example not only of Framework 2, but of Ruburt’s growing trust in himself, and in his willingness to act on his own behalf.

The act of writing the poem at this time, regardless of the poem’s message, you see, represents a willingness to allow the spontaneous self expression. [...]

[...] She had been aware of him acting up, she said, without being upset by it. [...]

[...] These watch, keeping their memories and knowledge intact, and acting as directors against whose memories the new models are formed. [...]

[...] And while these particles act as resistant boundary forces, they are also uniting forces, forming so to speak the connective tissue that both separates and unites.

[...] At this time, 1602, in England, the man committed an act which put him greatly in his sister’s debt. [...]

[...] Could this be a night club act? [...]

[...] You must act. [...]

[...] Naturally, high winds or snowstorms used to exhilarate him and act as stimuli, but overall his physical being always exhibited its greatest health, flexibility and exuberance in the other seasons. [...]

Because it is intimately connected with other portions of the self it does not basically feel alienated or alone, but proudly acts as the director of the conscious mind’s focus. [...]

[...] Your conscious thoughts act as triggers, bringing both kinds of memory into activation. [...]

[...] This force acts as a balancing mechanism for the psychic structures, and through use of it living forms create and maintain in a most basic manner their own physical environment.

[...] (Humorously:) I shall indeed act the host this evening. [...]

The release of a small “unknown” muscle, short and innocuous in the foot, might activate another in the shoulder in the precise order necessary, that will act as a stimulus, say, for a joint someplace else. [...]

[...] The heart is a pump, for example, but everywhere there are examples where people act in an entirely different fashion. [...]

[...] I want him to allow for greater physical spontaneity, to perform a physical act when he feels like it, and for greater psychic and creative spontaneity, both in his working hours and outside them; to concentrate on creativity, not time; for then you use time and it does not use you.

[...] Creatively, now, he is always interested in the new book—the current creative act, and he resented feeling that he had to type Psyche while not having current sessions. [...]