“Seth material” search engine (Jane Roberts)

(Long pause at 8:35.) I want you to keep your minds open, however, also, not to automatically dismiss any move to Sayre or environs, but to see yourselves supported in whatever moves you make. [...]

[...] Before his conversion, he knew he had a purpose and mission, and flung himself with all the passion of his being into whatever answers he thought he had found.

[...] And for whatever reasons, in this life I have insisted upon being an artist in spite of all obstacles.

[...] The Speakers therefore may appear within dreams as historical characters, as prophets, as trusted old friends, or in whatever guise will impress the particular personality.

[...] See how the image can be seen as a part of the overall pattern of the environment — the room or furniture, or yard or whatever.

One small note that occurred to me: for whatever reasons—I will not discuss them now—Ruburt did not feel particularly that you needed or wanted his physical help in matters that you could perform more efficiently by yourself. [...]

[...] We would be all formed from the same “mental stuff,” whatever that stuff is. [...]

[...] In more advanced systems, thoughts and emotions are automatically and immediately translated into action, into whatever approximation of matter there exists. [...]

[...] Interesting, then, the way the Seth portion of Jane’s personality structure [whatever Seth’s reality may be] reinforces those other portions that are meeting all of the challenges embodied in her current mental and physical existence — and we are continually seeking to learn more about how Seth is able to do this. [...]

[...] I had no idea of this tonight,” Jane said as soon as she was Jane again — thereupon emphasizing anew some of our endless questions about the Seth phenomenon: What portion of her personality, or entity, whether that portion might be called a Seth, or whatever, had been busy planning — organizing — this new endeavor? [...]

[...] (Copyediting is one of the earlier editorial stages a book goes through on its way to publication, and is meant to study all of the work that Jane and I and her editor, Tam Mossman, have already done on the manuscript: Before it’s set into type, a reader who works independently of the publishing firm carefully checks the manuscript for grammar, contradictions, facts, consistency, and so forth, and makes suggestions for whatever changes he or she thinks are desirable. [...]

The same alterations apply of course for fortunate events, which may be experienced through full physical expression, or through a series of manifestations that might also involve social or economic happenings, or the occurrence of splendid weather conditions, dash—the insertion of excellent, almost perfect summerlike days, or whatever. [...]

[...] They may die in their sleep of unexplained heart failure or whatever, or in accidents. [...]

(When Jane spoke for Seth her voice was rather quiet, since it was still sort of raspy from yesterday’s laryngitis, or whatever she’d had. [...]

In that case, the symptoms, whatever they were, would most likely have been yours.

[...] I should mention first however that the inner self is always free of whatever camouflage structure it may presently inhabit.

[...] Then imagine yourself stepping apart from yourself in whatever way you choose. [...]

[...] You may “speak” through art or music, through trance activities, but you will specialize in the use of the inner senses, and in translating the inner knowledge of the species, bringing it to whatever level of ordinary consciousness that is considered the official one.

[...] To whatever degree possible, given your time requirements, I will try to explain such matters. [...]

[...] I am saying that the situation contains excellent creative opportunities that outweigh the lack of sleep or whatever thus far experienced. [...]

[...] Then imagine yourself stepping apart from yourself in whatever way you choose. [...]

[...] You can use whatever term you prefer. [...]

[...] He felt that in a way he was doing this for both of you: that despite what you said, if you wanted to paint for a living, or rather, simply to paint and thereby live, you would take those chances that he was taking, and whatever consequences that followed.