“Seth material” search engine (Jane Roberts)

This consciousness of organs, atoms and molecules, cells and other components, is left undiminished with whatever degree of consciousness and vitality they originally possessed, not enough of course to hold form or organization to any degree. [...]

[...] I have told you many times that planes or fields, or dimensions of activity, whatever you prefer to call them, move through each other often, and do not collide. [...]

[...] All creatures of whatever degree have their own appreciation of esthetics. [...]

[...] By its nature art basically is meant to put each artist of whatever kind into harmony with the universe for the artist draws upon the same creative energy from which birth emerges. [...]

(I also asked that Seth comment on Jane’s teeth, and on the “bug,” or whatever, that I’d been really bothered by for the last two weeks. [...]

Women are somewhat more concerned with cosmetics—but only somewhat—than men in your society, so your support, whatever you decide on the teeth, will be important. [...]

[...] And I really feel that according to whatever terms we want to use, this is God’s great motion, moving and supporting me. [...]

[...] There are also lesser temporary kinks caused as the tubes—whatever they are—unknot and straighten out. [...]

[...] For whatever reasons, he never planned to marry a man who would go away to work each day, but saw you both involved in a jointly-shared comradeship of work and love. [...]

He was angry at your mother for whatever ideas she gave you that prevented the full use of your abilities. [...]

[...] I do not speak to you, in your terms, because you find it so difficult to understand or experience the reality of creativity and so all personalities, in whatever their sphere of activity, are involved in the nature of creativity. [...]

I do, indeed, and all consciousness of whatever extent feels love though it may not know the verbal designation for that is the basis of all existence. [...]

[...] As a rule, however, they have one purpose in mind: to change the status quo in whatever the area of primary interest.

[...] In whatever field, they devote themselves to perfecting the capacities of the body, which in others usually lie latent.

In important ways, Jane’s work is outside of society’s accepted frameworks — scientific, “occult,” philosophical, or whatever. [...]

[...] But as I wrote in introducing Volume 1, whatever comments I make along the way will explain Jane’s trance performances from my view, as best I can offer them — her behavior while she’s “under,” the varied, powerful or muted use of her voice as she speaks for Seth, her stamina and humor in sessions, the speed or slowness of her delivery. [...]

The appendix idea worked out well in The Seth Material and in Seth Speaks, and in both volumes of “Unknown” Reality each excerpt or session in an appendix, with whatever notes it might carry, is usually fairly complete in itself. [...]

[...] When she began the sessions over 11 years ago, we requested advice and help from a few people,¹ but as we slowly began to understand the very personal nature of her gifts we realized that she’d have to find her own answers as she went along, with whatever help I could learn to offer.

(Slowly:) The simple picture of the universe that you see on our screen, therefore, represents a view from your own now perspective — but each star, planet, galaxy or whatever is made up of other reference points in which, to put it simply, the same patterns have different kinds of reality. [...]

[...] For whatever reasons since holding the 709th session, she hasn’t had to wait for that certain, more “difficult” kind of trance to develop before launching into Seth’s book material; see the note at 10:55 for that session. [...]

[...] Anything apparent to whatever degree in your system is developed in another.

[...] Nor did she ask him to; she worked with the information he’d already given her, plus whatever she could divine for herself.

[...] From it he proceeds to show how all that we are — whatever our individual belief systems may be — stems from the brilliant focus of our physical, mental, and spiritual abilities in “present” experience.

[...] Another personality from whatever realm had joined the party.

[...] For her to work this way is entirely in keeping with her spontaneous nature; she intuitively seeks to use whatever sources of information — including Seth himself — she has at hand for whatever project she may be engaged in. [...]

[...] She’d already done some writing yesterday, for Psychic Politics, leading toward this view⁵; so whatever we learned through Seth this evening, we already felt reasonably sure that in usual trite terms Jane hadn’t been communicating directly with two such famous personalities. [...]

[...] The gist of our attitudes is that we find it most difficult to believe that “Socrates” — wherever he is and whatever he may be doing, in our terms — is willing to drop everything to give very garbled information to a well-intentioned, really innocent person living in, say, a small town in Virginia. [...]

“No control personality or whatever is going to tell me how to run the house,” I said. [...]

[...] To save my pride or whatever, I put the little refrigerator in the bathroom and turned it into a towel chest. [...]

[...] If you are a writer or an artist, then it seems that you must produce so many paintings or books or whatever as, say, an automobile worker must process so many pieces of the overall car chassis. [...] But each moment must be valuable in itself, whatever you do with it.

[...] Each unit of consciousness, whatever its degree, is, again, composed of energy—and that energy manifests itself with a kind of light that is not physically perceived: a light that is basically, now, far more intense than any physical variety, and a light from which all colors emerge.

[...] “But I know I didn’t throw out whatever I did on that poem,” Jane said. [...]

“All creatures of whatever degree have their own appreciation of esthetics. [...]

[...] By its nature art basically is meant to put each artist of whatever kind into harmony with the universe, for the artist draws upon the same creative energy from which birth emerges.”

[...] For whatever mysterious reasons, then, our overall consciousness wants and needs this particular “genetic culture.” [...]

[...] A discipline, of whatever nature and motivation, can erect barriers to “outside” influences—and those barriers are often artifacts growing almost automatically out of the very nature of the belief system in question.

[...] But you must open yourself to experience these realities in whatever way that you can. [...]

And when you realize that you form the events of your life, in the same way that you form the events of a dream, then you learn to grasp a hold of your entire consciousness and to take a hold of the life that is your own in whatever aspect it shows itself. [...]

[...] Or touch him as you say this and speak directly to the neck or shoulders or whatever is involved.

[...] Accept abundance in whatever way it comes, and underline that entire sentence. [...]

There is nothing wrong, certainly nothing to be lost and perhaps much to be gained, in your trying whatever experiments you want on your own. [...]

In any case I wish you the best of luck in whatever experiments you would like to try. [...]