“Seth material” search engine (Jane Roberts)

[...] Their main thrust is in what you can call the vaster dimension of dreams, the unknown territory of inner reality. [...]

[...] “Unknown” Reality will do far better than even Personal Reality did.

[...] At its best (underlined) impressionism achieved a certain focus unknown to Western art up to that time, in your terms, offering a breakthrough from cohesive objective form into the moving vitality that gives objects, say, their durability and shapes their images.

[...] (Jane leaned forward, intent and amused.) Which leaves you with two unknown elements you see. [...]

And: “Today now I feel that acceleration that tells me that my intent is traveling out into the unknown, or out into the universe to bring in answers to my questions, even questions I’m not consciously aware of. [...] I know I get them from outside of time in some unknown way.”

When they’re published the reader will be able to see that she touched upon her physical hassles in Chapter 17 of God of Jane, for example, and referred to them in her Introduction for Mass Events. She didn’t actively object when I began to mention them more extensively in the notes for Dreams. But as Seth said in Volume 2 of “Unknown” Reality, while discussing her goals in life: “The power of his (Ruburt’s) will is indeed awesome, and he is just beginning to feel it.” [...]

(Jane also through the day received from Seth some material in answer to my remarks at breakfast this morning about the jacket colors chosen for Volume 2 of “Unknown” Reality. [...]

The self then, unknown to the ego, perceives itself in a vast variety of experiences, and in, indeed, a vast number of realities. [...]

[...] Then when she changed the patch on Jane’s nose, that protects against the hard bridge of her glasses, Phyllis discovered that the irritated and sore nose had healed itself under the patch, unknown to all, since the patch has been there a long while. [...]

As Seth I’ve produced five previous books: Seth Speaks; The Nature of Personal Reality; The “Unknown” Reality, Volumes I and II; The Nature of the Psyche; and The Individual and the Nature of Mass Events, and Seth is halfway through a sixth book: Dreams, “Evolution,” and Value Fulfillment. [...]

[...] It concerned the amazing powers of her will, and is from Session 713, Volume 2, of “Unknown” Reality. [...]

[...] See Volume 2 of “Unknown” Reality.

Reading this section of “Unknown” Reality, each person should be able to feel an identification with a family. [...]

[...] At the same time, you consider the intuitive elements rather frightening, as if they can explode to disrupt known patterns, dash — in unknown ways.

(Long pause at 10:20.) In a kind of emotional magnification unknown to you, each person’s private emotions were given an expression and release through nature’s changes — a release that was understood, and taken for granted. [...]

1. Speaking of books: Even with all of the help Jane has given me lately on Psyche and Volume 2 of “Unknown” Reality (see the opening notes for sessions 821 and 823, respectively), I’m still only too conscious of the work I have to do to finish the notes and other material for both books, and put together their manuscripts for the publisher. [...]

[...] On the 19th we received from our publisher for checking the proofs of the index for Volume 2 of “Unknown” Reality, then two days later the proofs for the front matter of Psyche arrived. [...]

[...] These require much more effort on your part, but even the physical brain has latent within it the possibilities for many kinds of activities that still remain generally unknown.

[...] You think of physical history as beginning with the caveman and continuing up to the present, but there have been other great scientific civilizations; some spoken of in legend, some completely unknown — all in your terms now vanished.

[...] I’ve deleted certain portions of his material about us while leaving other parts for presentation here, since they do extend his recent work for “Unknown” Reality.)

[...] You have cut down on your own psychic experience until you finish “Unknown,” because you did not want to take the time to record dreams, and you did not want psychic events—either of you—to spill over into your daily lives and intrude upon your “work.”