“Seth material” search engine (Jane Roberts)

(Theodore  described to Jane the painting of a woman he felt Rob would paint.)

[...] You rob those you could have helped, and you deny the ecstasy that is the natural right of your being.

[...] If you believe that wealth is evil, as an example, you automatically rob yourself of any ability that might bring you riches. [...]

[...] Saying that, I am not robbing the intellect of its right to congratulate itself upon that technology.

(To Theodore.) Now, I simply came to let you know that I was in on your conversation, and because I did not want to have you think that I played your little trick and rob you of the pleasure of realizing that you did it for yourselves. [...]

[...] That day, he thought “After Rob seeing how I really am in the morning—if he saw me now he would see how much better I am,” and he felt proud of doing what he was doing as well as he could.

[...] The moment that you consciously realized you were an artist, you ceased the attempt to make good money, fearing it would rob you of your ability.

[...] He says “I overreact to Rob’s mother,” and intellectually then says “that is silly,” but he never allows himself to experience the feelings themselves. [...]

[...] It was as though Jane, Rob, and I were traveling at a certain familiar speed while we were talking, although this has nothing to do with motion. [...]

You cannot understand what makes things live when you must first rob their life. [...]

Ruburt and Joseph, or Jane and Rob if you prefer, are private people. [...]

[...] You have been denying yourself comfort of this kind, and it would help prevent the periods of depression, and the mood of depression that has gradually come over you and robbed you of your resistance.

[...] [A later note by Rob: Bill had a small scuplture of criss-crossing wires in a gallery window.]

[...] Half in and out of the envelope was an old snapshot of Rob and me.

[...] The poor Rob cry was his regret at having to depend upon your support, taking, he feared, energy from your work; and a regret, based on fear, that he always feels whenever he is forced to rely upon someone’s strength.

(Notes by Rob: Some of Seth’s voice effects were very loud. [...]

[...] Rob said I’d never told him this before, when I mentioned it as we got ready for the (836th) session. [...]

When he moved into this apartment the idea was “If Rob will not use the money then at least I will have more space.” [...]

[...] We saw no connections.) Later note by Rob: The Garden of Eden-the “Fall?”

[...] In that appendix I assemble from various sessions information on the complex relationships involving Jane-Ruburt-Seth (and also Rob-Joseph).