“Seth material” search engine (Jane Roberts)

He had to realize his fear and his terrible dilemma in regard to Eleanor because it showed in concentrated form his own fear about his being able to succeed on his own, hence his dependence, that made him resent Eleanor. [...]

[...] Eleanor Maggi, the nurse, visits tomorrow, and we plan to tell her to make her visits on Tuesday and Friday next week. [...]

[...] In June, with no hard feelings involved on anybody’s part, Jane withdrew Emir from consideration at Prentice-Hall when the decision was made there to publish the story in two volumes; on July 12, Eleanor Friede at Delacorte Press accepted Emir for publication as a single book. [...]

(Resuming our chronology: On October 24, 1978, Jane worked out the Table of Contents for Seth’s Psyche, and started her Introduction for it on the 26th; we mailed Psyche to Tam in sections as we put the manuscript together, and finished with that endeavor on November 9. On November 14 Eleanor Friede visited us to renew an old friendship and to go over Emir with Jane. [...]

(I’ll note here a small sign of the workings of Framework 2. Today I received a letter from the secretary of the British Psychic Society, Eleanor O’Keefe, thanking us for sending her an autographed copy of Cézanne a couple of weeks ago. [...]

With the interview, Saturday’s planned visit, and even with the connection with Eleanor, you both decided to be a bit more open in that regard. [...]

[...] He thought previously that Eleanor and Dick would be a means, and there was a period from the time when you met them, until now, when for him everything was critical. [...]

[...] See the 618th session in Chapter Three for an account of Seth’s meeting with Dick and the latter’s editor, Eleanor Friede.

[...] It was Eleanor Friede. [...]

[...] Possibly Richard Bach and his editor, Eleanor Friede, were involved. [...]

On the other hand, the decision to have the interview (for the Village Voice), to take up with Eleanor, and so forth—these events catapult old beliefs to the forefront of Ruburt’s mind—an excellent reaction, by the way—for when those beliefs are voiced and discussed then they can be understood and eventually dismissed.

[...] He made comparisons, of course, between that relationship and what he knew of other publishers through reading or through direct dealings, such as with Eleanor, for example. [...]

[...] Eleanor Friede, Jane’s editor at Delacorte Press, has done a fine job of supervising the illustration and production of a handsome little volume. [...]

[...] As of now we have so far mailed the letter to Eleanor re Rich Bed; phoned the ad about a house in to the Elmira paper; obtained the paint for Jane’s workroom; put up new curtains in her room; begun inquiries about the duplication of the letter for readers who write to Jane; packaged the first six chapters of Seth’s book to mail to Tam at Prentice-Hall tomorrow; begun to check the galleys for Oversoul Seven—all of these being items on the list we made out a couple of days ago. [...]

(Tam has rejected Stefan Schindler’s book on Seth – he did so last week—so this morning Jane called Eleanor Friede to see if she wanted to examine the work. [...]

Now you used the energy that your classmate (Eleanor) was sending you for other overall purposes. [...]

The day after that session for March 11 was held we received a jolt: Eleanor Friede, Jane’s editor at Delacorte Press, informed us that Jane’s book, Emir’s Education in the Proper Use of Magical Powers, was being remaindered—taken off the market because in the publisher’s view it wasn’t selling enough copies. Eleanor’s protests at the action had done no good. [...]