“Seth material” search engine (Jane Roberts)

[...] She said that after I left last night she resolved to do what Seth had said, no matter what. [...]

(“Good afternoon, Seth.”)

[...] Got upset about the New York thing—forgot Seth’s “prime data” thing. [...]

[...] It clearly foreshadows certain ideas in the Seth material, which she was to begin delivering 19 months later. [...]

[...] She definitely wanted Seth to discuss these dreams tonight.)

(“Good evening, Seth.”)

(“Good evening, Seth.”

(“Do you want to say something about the Voice?” In a rather funny confrontation, Seth and I stared at each other for a few moments. My question of course grew out of the first installment of the story about us and Seth that was published earlier this week in the Village Voice. [...]

(“Good evening, Seth.”)

[...] As Seth, she stared at me with quite an amused air, waiting until I was ready to take notes.)

(“Good evening, Seth.”)

[...] Good night, Seth.”

2. According to Jane and Seth, within our time scheme each physically-endowed consciousness, whatever its form or size or complexity, inherently seeks to fulfill its own highest potential — not only for itself, but for the benefit of each other such consciousness in our reality. [...]

[...] Even in this immature work, which she produced 11 years before she was to initiate the Seth material, her mystical nature was asserting its innate knowledge.)

[...] I did read the Seth session portion to her. [...]

(“Good afternoon, Seth.”)

(Earlier this evening I’d mentioned to Jane my long-standing interest in Seth’s statement, years ago, that all ESP perceptions have an electromagnetic basis. [...] Now I asked Seth about this.)

(“Good evening, Seth.”)

(The rest of the session was devoted to Seth’s interpretation of one of my dreams—Robert Butts.)

(“Good afternoon, Seth.”)

(4:45 p.m. “Good afternoon, Seth.”)

[...] (Amused; meaning Seth had already given material on Cézanne and on his own book.)

[...] Seth. [...]

[...] (As Seth, Jane sat quite motionless in her rocker for well over a minute. [...]

[...] I didn’t realize until the session was over that this was the second heading Seth had given for Chapter Ten. [...]

[...] Seth had also mentioned the availability of the data about Rooney’s life and death in last Monday’s deleted session.)

[...] Good night, Seth.”

[...] “Boy, was he going strong,” she said, meaning Seth. [...] In connection with Seth’s delivery since 10:10, we’d like the reader to refer to these sessions: the 616th in Chapter Two; the 624th in Chapter Five; and the 654th in Chapter Fourteen. [...]

(“Good evening, Seth.”)

[...] Here Seth referred to the American Medical Association.)

(“Good evening, Seth.”)

[...] She said that even when Seth is talking about her, when she is balling herself out so to speak, she has no urge to interrupt him in her own behalf or defense.

(Seth has mentioned this before; this time I was ready with my question when he mentioned this preparation again. [...]

(“Good night, Seth.”

(Yet finally, as she talked about it, Seth came through—and earlier than usual:)

[...] Seth’s material on Cézanne was excellent.)

(“Thank you very much, Seth. [...]

[...] I doubt if I’ve ever heard Seth do better. [...]

(“Good evening, Seth.”)

[...] (Seth amused.

(Excellent data from Seth; this is exactly how I felt about the problem and I had never mentioned this to Jane.)

(“Good night, Seth.”

(“How is all of this hooked up with the walking difficulty?” By the question, I meant how has Jane’s walking difficulties through the years resulted from her feeling that she should be all those things Seth recounted at the start of this session—a TV personality, a great psychic, writer, and so forth. I didn’t make the question clear enough, so Seth answered it in more immediate terms—which is also valuable information, of course, that we can act upon. [...]

[...] Seth.”)

[...] Thank you, Seth. [...]

[...] We hadn’t asked Seth to comment.)

(“Good evening, Seth.”)

[...] The photographs will be used in Jane’s book on the Seth Material.)

(Jane had no idea of what Seth would discuss during the session. [...]

(“Good evening, Seth.”)

(“Good night, Seth.”