“Seth material” search engine (Jane Roberts)

[...] Young adults found themselves faced with a multitudinous number of personal decisions that in other cultures were made more or less automatically. [...]

[...] (Long pause, eyes closed, head down.) He left for your young brother a sense (smile) of sweetness, an innocent, untouched quality that will always sustain him.

[...] The dark-haired young man was trying to talk me into displaying some of my smaller paintings in the room in his funeral home where guests were seated for viewings, etc. [...]

[...] He represents someone highly gifted artistically, and therefore stands for your artistic self as you might have idealized it when you knew that young man. [...]

[...] It was a young neighbor from downstairs, concerned about transportation to work tomorrow. [...]

I suggest that you make your own decisions, young lady, for making them you will discover your strengths and weaknesses. [...]

At the time the subconscious developed these fears, it believed that its survival was dependent upon other people, for Ruburt was young and frightened. [...]

[...] You must realize that in so doing you automatically and knowingly took into consideration such adventures as the young man coming through the window (earlier today, while I was taking a nap).

[...] The panic has to do with many issues involving Ruburt’s earlier experience, particularly with his mother and the church when he was a very young person, very determined to survive in life, and trying to learn what kinds of behavior added to or threatened that survival. [...]

[...] Often they must learn at a fairly young age not to dissipate the energy. [...]

I do not mind speaking to your young friends under good conditions; perhaps the recorder can be utilized at such times, and Ruburt can be put to work typing up any additional notes. [...]

Young people are urged to tackle life aggressively, but in the usage of the term this means competitively. [...]

[...] He believed (underlined) that he should devote all of his time to his work, and could hardly forgive himself for his regrettable lapses into writing—and he was writing, after all, not even for adults, and not for young males either.

(Young Peter Murtough, from Chula Vista, CA, wants to visit us.)

The young woman, Frances (Gardella), who wrote Ruburt, with no evidence was certain she would be followed—tomorrow if not today. [...]

[...] When the child, particularly the young child, is sleeping, for example, the personality often simply vacates the body. [...]

Now he did a good job on the chapter, and it will help him if he imagines the entire book to be a young beautiful sapling that moves easily with each breeze, the nerves like tiny unseen branches, soft and flexible, going even out from his body.

Besides normal reasons (Jane dictates:) he was psychically inclined, at a time when Jane was young and herself close to a past life. [...]

[...] Jane sensed her grandfather’s feeling of identification with the rest of nature however, and since she had not yet developed a strong ego personality as a young child she felt no sense of rejection as did, for example, the other members of the family. [...]

[...] He might at another time appear as a dictator, cruel and overbearing, where he would represent an entirely different framework of feeling and belief He might show himself as a young monarch, signaling a belief that “youth is king.” [...]

[...] She wasn’t especially young. [...]

[...] And now she recalled a third incident she’d helped in, involving a young man in Florida who’d attended her class just once. [...]