“Seth material” search engine (Jane Roberts)

“The objective world is the end result of inner action. You can indeed manipulate the objective world from within, for this is the means and definition of true manipulation. [...]

[...] We are all creators, then, and this world is our joint creation.

[...] I am saying that you are the creators of the physical world as you know it.

[...] There are radiations then through the skin to the exterior world, containing highly codified instructions and information.

The birth of the world represented a divine psychological awakening. [...]

(9:58.) Your finest aspirations can give you some dim clue as to the great creative thrust that is behind your own smallest act, for your own smallest act is possible only because your body has already been provided for in the physical world. [...]

1. Originally Jane said “world” here, where I’m sure Seth wanted her to say “universe.” [...]

The experiment that would transform your world would operate upon the basic idea that you create your own reality according to the nature of your beliefs, and that all existence was blessed, and that evil did not exist in it. [...] They would perceive the world and existence as good.

[...] Your world has not tried the experiment as yet which would release you. [...]

[...] The ideas in the books go out into the world, where they will be worked upon, worked with, in numberless fashions, in ways that you may never know. [...]

(Pause.) The feeling of responsibility to help those in desperate need is but one facet, however, for he has felt a responsibility (underlined) to get our material to the people as soon as possible—a responsibility to appear on television or otherwise, to promote our ideas, or to present them to the world—a responsibility that I have not encouraged. [...]

Humanity dreams the same dream at once, and you have your mass world. [...]

Problems leading to world wars also cause worldwide natural disasters. [...]

In a fashion this would indeed represent a very desirable arrangement over a period of years, one that Ruburt could take advantage of, one that could serve you by also presenting you with a different framework through which to view your painting and visual world, one in which the idea of water as motion was always present. [...]

That is, you increase the feeling and intent of power by considering it in such action, whether or not in your world you pursue that particular issue—and I do not mean to consider the issue hypothetically either, but as a quite possible desirable course of action that you may or may not pursue. [...]

The world needs your abilities unimpeded, each of you. [...]

[...] Your camouflage and your world are created by conscious focusing and unconscious concentration. [...]

[...] Overall there is also the world situation to be taken into consideration — the status of the species on the planet, in which, say, overpopulation problems will bring about death to insure new growth.

[...] (See the 619th session in Chapter Four, as well as the first session in this chapter.) You accepted those ideas for a reason, individually and en masse, for mankind at any given “time” has a strong idea of the particular sort of world experience it will create.

Their migration is perfect in its simplicity and complexity, yet your journey as a species is far less predictable, opening avenues of probabilities in which your consciousness and free will allows you to become conscious creators in worlds that you initiate and then inhabit.

[...] She’d dreamed that once certain things, events, were set into motion, they inevitably would continue in their motion until they came true — then the world would end. “Well,” she said, “if I find out those things aren’t true, then the world isn’t going to end.” [...]

[...] It shows you that the rules of the rational world are filled with holes. It shows you that the rational world’s views do not represent the bulwarks of safety, but are instead barriers to the full use of the intellect, and of the intuitions.

[...] You have been living in an industrialized, scientific society, so that the benefits and the great disadvantages of the rational approach appear everywhere in the social and political world. [...]

[...] You are, in fact, dealing with a larger version of fact from which — as I have said before — the world of fact emerges.

[...] (Long pause.) Because your world is built around a certain charged acceptance of beliefs so thoroughly, it usually seems as if reality as you perceive it is the one that must be inevitably perceived, while all others have the status of hallucinatory visions at the very best. [...]

[...] From those elements you form your picture of the world. [...]

[...] At the same time I knew what she meant — that she needed pretty steady or even constant reinforcement in the world.

The television program, about the communication of plants, also served as an impetus, so that Ruburt was able to sense the continuous “inner world” flow of love and cooperation within which all of life is couched. [...]

[...] That is the you that you know — the world view that you understand. [...]

[...] In the “entire book of life,” however, just physically speaking, there are interrelationships on adjacent levels that you do not perceive, as other portions of your own biological consciousness or biological language relate to the entire living fabric of the world. [...]

[...] Your physical senses correlate fairly quickly, so that consciously you are aware of your physical stance and relationship with the immediate physical world. [...]

[...] Again, you put the world and experience together in ways that you have learned so thoroughly that no other ways seem possible. [...]

[...] Although it may seem to your consciousness that one spider web is like any other, this is not true, of course, in the world of spiders. [...]

[...] There are all different kinds of artistic development, of course, some more than others directly concerned with the play of life itself upon the artistic capacity, so that generally speaking, now, there are certain kinds of developments that in your world require the personality’s encounter with years of experience. [...]

[...] When you trust your abilities you allow them, through their expression, to find their own creative reconciliation, for the creative product is indeed a reconciliation between the sensed ideal and the world’s actuality. [...]

[...] You choose, in other words, to accept a given picture of the world, and you use that picture as a frame within which you form a life.

[...] If I speak in analogies and images, it is because I must relate with the world that is familiar to you.” [...]

“This is our main message to the world, and this is the next line in man’s conceptual development, which will make itself felt in all fields, and in psychiatry perhaps as much as any.

(Long pause at 4:12.) Politically as well as medically, such distortions have led to unfortunate conditions: the Aryan-supremacy biological ideas fostered in the second world war, the concentration upon “the perfect body,” and other distortions. [...]

“I accept everything in the book, but I think I felt that if I was going to tell it like it was—and I was, was determined to—then I also needed more protection from the world, and began cutting down mobility again. [...] The long breaks when Seth didn’t dictate [book work] may have come when I got particularly concerned about the material, the wisdom of presenting it to the world.

[...] If she has hassles, I added, they’re quite understandable: Not only is she offering our world creative new ways by which to understand reality, but in her uncertainty about what she’s doing, she feels that she must prove her ideas to the world all by herself—something that few people have to do in such an all-encompassing manner. [...]

[...] The time has passed so quickly, it has been so filled with all kinds of personal, professional, and worldly events for us, that its motion is hard to visualize. [...]

[...] Difficulties arise, however, in book dictation on those occasions when he becomes too heavy-handed and worries about the responsibility of helping to solve the world’s problems—about his or my capacities in that regard—and when he considers the possible and various objections that any given subject might activate on the part of any given group of people. [...]

[...] You do not realize that you create your larger environment and the physical world as you know it by propelling your thoughts and emotions into matter — a breakthrough into three-dimensional life. [...]

[...] Here, I merely want you to understand that the world that you know is the reflection of an inner reality.