“Seth material” search engine (Jane Roberts)

[...] You liked working with the land, but because of conflicts with your father you turned against, for example, gardening.

[...] She’s worked out all of her themes for it in detail, however.

[...] It is, again, action working within itself. [...]

Later work has convinced me that psychic phenomena do not simply appear because we want them to, or as the result of suggestion alone. [...]

[...] Then I felt silly, because Seth made absolutely no attempt to “invade” my normal working day. [...]

(About my illness: “Some things you have to work out for yourself.”

[...] Seth had mentioned a time limit of several years for some of these predictions to work themselves out, and counseled patience on John’s part. [...]

[...] As I can note the next day, however, one did develop—so I’m skipping the typing of the sessions for November 8—the second one for that day—and November 9, in order to get right to work on this one. [...]

[...] In lesser degree I used to get them when I rode the bus to work at Artistic Card Co. [...]

[...] The notation mentioned your name, along with other names of artists whose works were under consideration by that woman to be placed in business offices.

(For three years I worked full time for Artistic Card Co. [...]

(We held just one session last week, and it did not involve work on either “Unknown” Reality or the book on health. [...]

Our entity is composed of multitudinous selves with their own identities, many of whom have worked in this behalf. [...]

[...] “Because you’re going to do all the work on the book. [...]

[...] And he had two brothers, one brother working against him in politics.

[...] After the program ended at 9:00 I explained to Jane out of my own limited knowledge how particle accelerators—“atom smashers”—work. [...]

I’m speaking now of your psychic work and interest. [...]

[...] You are working toward several breakthroughs in your own painting—actually a three-way breakthrough.

[...] This also represented a cautionary slowdown however to reassure you that he was not going to take over, overshadow you, since you have worked so hard at your own art without any such recognition.

Your specializations work as long as you stay within the framework, though then you must wrestle with the questions that such divisions automatically entail. [...]

[...] Although she understands perspective which I have tried to teach her, she has no feeling for it, and prefers to work without it; she calls her work primitive, and it has a childlike quality when she is left alone to paint her own way.

[...] She has been working long hours on her book and has but a couple of chapters to rewrite.)

(“I also got that he’s going to say that in ordinary terms we don’t have access to all the information we’ve got at one time because consciously it would be so hard to sort through it — but that we really are conscious of it, and for working purposes we just pretend that we aren’t. He’s said that before — that the so-called unconscious portions of ourselves are in themselves quite conscious.”

There is a certain residue, in other words (pause) of fairly desolate feelings — and these are working themselves out through such expression, thus freeing the body for additional improvements. [...]