“Seth material” search engine (Jane Roberts)

(It should be noted that this Saturday morning, for the first time in many years, Jane took a shower when she got up—even before breakfast, in other words.)

[...] I have used the word creative before, asking you both to utilize creative methods to the physical situation. [...]

[...] At break I didn’t say a word. [...]

If he succeeded he might lose your love, in other words. [...]

[...] I use the word “materializes” because it makes sense to you, but it is distortive since it predisposes an appearance within matter. [...]

[...] Words and phrases spoken now will trigger your memories, and those memories will become alive if you allow them to.

[...] In other words, the previous personalities of past lives.

[...] You may, in other words, interrupt. [...]

[...] The word “high” is important, for art, his art—writing, poetry—was his version of, say, the high mass of his childhood, where he and not the priest was in connection with the universe. [...]

[...] Both of us have been making pronounced efforts—although that’s not the right word for it—to trust that our challenges will be taken care of in Framework 2. I think I’ve had some good success there.

[...] Ruburt’s spontaneity escaped all of his “language,” in other words. [...]

In other words the ego is not familiar with the probable self, but certain portions of the subconscious are. [...]

[...] It came on a parallel level while she was speaking other words aloud. [...]

[...] The use of the word fragments here, by Seth, led us to think that reincarnational motives might be involved in the marriage; but I did not think to quiz Seth about this when he resumed. [...]

[...] Words do not exist, for example, for some of the ideas I hope to convey. [...]

[...] Predictability is simply another word for significance. [...]

[...] It’s further said that our attempts to describe or visualize such nonphysical qualities inevitably cause us to misinterpret them; so the artist wonders whether the atom’s movement in more than one direction at once may not be perfectly “natural” in its own environment — some sort of ability quite separate from any play we may indulge in with words while trying to consciously comprehend it.

[...] “Yeah, that’s the word I want.” [...]

[...] Jane also had a dream involving the death of Sue Watkins that I wanted a word on. [...]

[...] “The funny thing is,” Jane said, “I thought that that was coming from Seth—that is, he was speaking the words, though he usually doesn’t do things like that.... [...]

Crossword puzzles and other word games will also benefit, even if only done mentally. [...]

[...] There, a physical basis for life as you know it is built up through a creative—I am not sure of the word I want: symbosis—

As Jane commented afterward, LeRoy Guy said not a single word to us about his reaction to Seth, although I’d watched him pay the same rapt attention to that personality as had many others. [...]

[...] In other words, you will expect your own experiences with various portions of your psyche to be more or less the same. [...]

[...] In poetry perception is immediate, the words arranged to intuition’s order, and the very rhythm carrying its own sway.

[...] Those are the words to be used. [...]

[...] As she has mentioned before, she believes she becomes aware of such concepts when Seth is dealing with material that is difficult to put into words.

In other words, an action cannot be judged as an impeding one without a thorough knowledge of the other actions that result in the makeup of any given personality. [...]

[...] There are physical repercussions in your own bodies that occur if you would but listen to your bodies and feel them when the songs go on, for there is language beneath words. [...]

[...] The very words “life” and “death” serve to limit your understanding, to set up barriers where none intrinsically exist.