“Seth material” search engine (Jane Roberts)

[...] But I was determined that he understand our feelings—or mine, at least, in no uncertain terms, for as we talked I could feel him start using words to paper over our upset about foreign rights; I felt that his tactics would only make it possible for the whole thing to happen again with succeeding books, and that I was going to short-circuit at once. [...]

[...] I did not receive whole sentences from her, but often would seem to pick out the exact words of a phrase just before she gave voice to them.)

[...] The one room into which he looked for example was not vacant, or ready for him in other words. [...]

[...] The word discotheque on the napkin was printed in a blue that was strongly on the red side, although actually short of being an outright purple. [...]

I want you, in other words, to make tangible evidence of your own good points and accomplishments, so that when you are lost in periods of depression and negative thinking there will be something that you can look at. [...]

[...] I bring this up since I did mention the word in passing. [...]

[...] Not in words so much as in attitude. [...]

[...] I asked again about the trouble with John Bradley’s tongue, and received the very unclear word “callous.” [...]

[...] I did say however that whenever possible, and as a rule, my words should be exactly quoted. [...]

[...] His father had died a few months ago, and while he stood in the backyard, a place he knew and had loved since childhood, Jimmy thought to himself: “Now, if I could see my father’s apparition, then I could tell Ma, and she’d feel a lot better,” or words to that effect. [...]

“It was hard to reduce my insight to words, but when I described it to Jane at our lunch table, she said it made sense to her. [...]

[...] She produced in other words an idiot, who was in his own way supremely invulnerable to the realization of misfortune, a child who would not grow mentally into an adult, and a child who would remain secure in a relatively eternal childhood.

(Now here are excerpts from the account she wrote for me of her experiences involving the rain-puddle creature and the light on the evening of February 2. Jane’s narrative and poetry supplement Seth’s own words, and show how she became consciously aware of the unique transformation of her original poetic ideas into visual reality — and how she then carried the creative process another step by converting her new perceptions into more poetry. [...]

[...] You need not fear that you must watch every word, and so forth, as long as communication both ways is maintained. [...]

[...] And when you use the word, I, you do not realize the I of which you speak.

[...] Now knowing this and seeing it clearly in words, you can I am sure make adjustments so that you do not go to those extremes.

[...] Again, this does not involve punishment in any sense of the word, but the idea of killing permissiveness is not discriminating. [...]

[...] And you will have to take my word for what I am saying for the present, regardless of how impatient you may be.

[...] You do the best you can, in other words. [...]

[...] The word square here may refer to the next data.