“Seth material” search engine (Jane Roberts)

Something to do with a circle, and white and leaves. Dark leaves against white. [...]

[...] In the photo the marsh grass comes out as “dark leaves against white,” and the photo was taken in the afternoon of a bright day. I recall this easily enough because I had to wait until the sun was in the correct position to give a good contrasting result in the black and white photo that I wanted to use for reference.

[...] The envelopes contained a black and white photo of York Beach, ME, taken there last summer, that is the summer of 1964. [...]

(“The color white background”, might be taken as a reference to the white paper the envelope object was drawn on, but Jane said that once again this referred to the tracing-paper drawing I made. Tracing-paper is a pale translucent gray or off-white color, but not really white as this typing paper is white.

(“A connection with a house and a white border.” [...] Each card design is surrounded by a rectangular white border, perhaps an eighth of an inch wide. [...]

[...] The color white background, and a paper item, folded like a card, the center being a rectangular shape.

(Lead white, for centuries, has been the recommended white pigment for oils, and indeed before this century was the only white available, as far as I know. [...] Even today most authorities still regard it as having superior properties to all other white pigments. In this life, however, I prefer zinc white.)

[...] Lead white often stopped the growth of the mold, but it was too harsh a color. [...]

A 7 o’clock appointment at a place with mainly white decor—white tablecloths, white waiter’s uniforms. [...]

[...] The Jesuit thinks strongly how computers could change the islands, and discusses this with some heat or enthusiasm with another man, I believe, who wears a gray or white jacket, and a sporty hat.

(I mentioned black and white thinking in the notes, and Seth has also used that phrase several times recently. [...] I meant, of course, that all of us indulge in such black and white thinking at times, on some subjects, and I added that I periodically have to catch myself when I overreact to certain events. The question is why the personality would choose to use black and white thinking to begin with, when the results are so often deleterious to the whole personality, if we can just dissolve such approaches.... [...]

[...] This does not mean, again, that black and white thinking is not involved. [...]

[...] The manuscript of The Rule Book of Love: A Seth Book, is written on the back of heavy white stationery from Howard Johnson’s motor lodge in Coraopolis, PA, which may be near Philadelphia. [...] The rest is plain white paper, from who knows where? [...]

[...] He wore a white business-type shirt, a tie, no coat, and gray business-type pants. [...]

[...] Whoever I talked to had evidently been questioned by someone also looking for us—if not Fred himself —but his description of the person, as being older and with white hair, didn’t match Fred’s appearance at all, so I didn’t press the point. [...]

(“White or bluish-white. [...] When Jane and I visited the gallery window to check out this data before writing it up, we noted the three colors mentioned above in this particular sculpture—white, blue, gray.

[...] White or bluish-white. [...]

The object, a scribbled pad, small and white. [...]

[...] Jane looked in the mirror and didn’t agree, although she did admit that her hair wasn’t white, but gray and white. [...]

[...] I do not come on tippy-toe like the white Easter bunny with a white floppy tail through the tulips! [...]

[...] Watching the turmoil on television today, just one spark could have set off an explosion that would rock this country, just one Negro had been pushed around too much by a white policeman. [...]

(The building, a restaurant or whatever, at the foot of the hill was fairly American, she said, compared to the large white building at the top of the curving road and hill. The Gallaghers stayed beyond the large white building, and Jane had the impression that there the buildings were sparser.

Further on at the top of the hill, at the left-hand turn, is another white building at the curve, that is a new building. [...]

[...] The road showed up white. [...]

[...] Surf breaking over his head appeared to have a “white sideways movement.” It had a more or less solid look, like the white ceiling of a room.)

A white taxicab. [...] The symbol is of more than one color, however, and fairly dark against the white. [...]

(Arriving later in the evening, Bill Gallagher told us that the taxicabs of the predominant cab company in Washington are painted white. [...] The symbol is of course in dark color against the white background.)

(“The color white.” The object is a note on white paper. Also the greeting card is printed on white paper.

(The 67th envelope object was a penciled note written on one side of a piece of white paper by our neighbor, Leonard Yaudes. [...]

[...] The color white. [...]

[...] Her present employer’s wife has white hair, but is young. [...]

[...] First a black mustache and then it turns white. [...]

[...] Her present employer’s wife has white hair, but is young. [...]

[...] First a black mustache and then it turns white. [...]

[...] From high up in the air I found myself looking down upon a white snow-covered landscape with white mountains and flat white expanses, and a vivid blue sky. [...] I saw a round hole, evidently cut into ice; at the hole were two men wearing white fur suits, and moving about the hole as though perhaps fishing through the ice.

[...] After speaking to her, I again saw the two figures less clearly, walking or climbing in the rough white terrain.

[...] Often white is considered pure, and black impure, white good and black evil.

[...] a war that is not Indian against white man, but Indian and white man against Indian and white man. [...]

In trance or out, Jane likes to “take off” in her own creative ways from concepts like that of the tachyon, or the black hole or the white hole — so in this session she came up with the “dead hole.” Then, from another angle, she explored related ideas in Adventures; see Chapter 19, “Earth Experience as a White Hole,” in which she wrote, “What kind of a structured universe could explain both the inner and exterior worlds? If we consider the universe as a white hole — our exterior universe of sense — we at least have a theoretical framework that reconciles our inner and outer activity, our physical and spiritual or psychic experience; and the apparent dilemma between a simultaneous present in which all events happen at once, and our daily experience in which we seem to progress through time from birth to death.”

In closing: See the 593rd session in the Appendix of Seth Speaks for Seth’s material on black holes, white holes, and coordination points: “A black hole is a white hole turned inside out … The holes, therefore, or coordination points [points of double reality, or where realities merge], are actually great accelerators that reenergize energy itself.” In the 688th session for Volume 1, Seth presents an analogy in which his basic units of consciousness, or CU’s, operate as minute but very powerful black holes and white holes.

[...] Now as with atoms alone, and all other such structures, these also exist as sound.¹⁰ Black holes and white holes do also.¹¹ The sounds are actually characteristics that act as cohesivies, characteristics automatically given off. [...]

[...] Ruburt’s white coat, and last Saturday evening.

[...] As can be seen practically none of the data applies to the test object, with the exception of the white coat; the connection here is tenuous, and will be explained. [...]

(Jane said she had rather strong images visually of the data; twice she saw her white coat quite strongly. [...]

[...] A short gray or white-haired gentleman. You might say prematurely white or gray, in his 40’s. Perhaps around Valentine’s day: in that general area. [...]

[...] To do with red and white blood corpuscles, a deficiency, a check upon the deficiency, and an alteration of nervous reaction patterns. [...]