“Seth material” search engine (Jane Roberts)

[...] (Pause.) Your original equation staggers under the weight of imponderables. [...]

Poetry came the closest, and yet the form of that art still could not carry the full weight of the knowledge he knew was available. [...]

He favors at this time one side, and all his weight and emphasis and direction bears him to the right. [...]

[...] Many of these involve systems in which life and death as you know it does not occur, where time is felt as weight; systems in which the root assumptions are so different from your own that you would only accept any experiences as fantasy.

[...] Rather light in weight, as say paper or cardboard, resembling a spool of some kind. [...]

(As we began to reread Monday’s session this morning, Jane said something that triggered a reaction on my part that I felt was based on material Seth gave in that session: “I tell my body every day that I trust it, that it can bear my weight when I go to the john, for example,” or words closely to that effect. [...]

[...] Finally he felt the impulse to walk without the table, used the plunger as an aid, and did not need to put his weight upon it. [...]

[...] She must worry about weight.

[...] The steps he has taken without putting his full weight on the table, for example, are highly important. [...]

[...] I used the word “heavy” several times also, meaning that she could be aware of the normal weight of her body, but later wondered if it was a good word to use. [...]

[...] If weight loss is desired then less should be eaten. [...]

[...] You can be served the richest diet, yet gain no weight. [...]

[...] There is always a minute difference in the physical body’s normal weight when the individual is projecting. [...]

I have told you also, long ago, that what appears as weight or mass on one plane may appear as something else entirely upon another. [...]

[...] Jane felt so limp and relaxed, I told her, that it seemed she had shed two tons of weight. [...]

[...] He had brown hair combed straight back, almost a double chin, a sharp nose and high forehead, and in his right hand he held a microphone; he was talking into it, giving a lecture on something to do with weights. [...]

Ordinarily we think of mass as meaning the bulk and/or weight of an object. [...] An object’s mass is arrived at through dividing its weight by the acceleration caused by gravity.

[...] The control personality starts throwing its weight around and trying to dominate the medium’s normal personality. [...]

Otherwise he simply feels the weight of his errors, and becomes angry at himself. [...]

[...] The weight or thickness of various strokes had meaning in terms of emphasis. [...]