“Seth material” search engine (Jane Roberts)

[...] By this I mean that when she speaks for Seth her voice drops in register, becomes somewhat stronger, and acquires Seth’s own deliberate but unique accent and rhythm. [...]

[...] (Voice stronger for emphasis:) It can also look in both directions. It makes judgments about the nature of reality in relationship to its and your needs. [...]

The mail represents the voice of the world, the needs of its people. [...]

[...] You must listen to its voice and return to your normal weight.

[...] It is the voice of inspiration, whether or not you recognize it as such. [...]

Ruburt does not think that you are afraid, for you seldom voice any fears. [...]

[...] Her voice was okay for the most part.)

[...] He does listen hopefully to each voice, but he is no fool. [...]

[...] Eyes open often, voice average.)

(Jane began speaking in an average voice, at a good pace with few pauses.)

[...] Jane’s pace had been a bit fast, the voice stronger, eyes open often, many gestures, etc. [...]

(Jane began speaking as Seth in an active manner, often humorously, with emphasis and gestures, eyes open, voice good, pace faster than usual, etc.)

[...] Once she began speaking for Seth, however, her manner turned fairly active; her voice became very clear and precise, and slightly loud.)

Were you born once in winter,
in Europe’s ice and snow,
when villages were dark at night
and wolves roamed the towering hills?
Or dark-skinned, did your swaddling cry
pierce Egypt’s early dawn?
How many birthdays come and gone,
how many homelands, each your own?
How many loves have whispered through
the patterns of your mind?
How many sons and daughters have grown
from your womb or loins?
What voices merge with mine
to wish you happy birthday,
and what loves within your past
lay out a feast of wine and cakes?

[...] Her voice was quiet, her delivery rather fast. [...]

[...] Then she resumed, in a slightly louder voice.)

(It’s difficult to describe, but Jane’s voice in trance was pitched a bit lower than it usually is. [...]

[...] They react in their own ways to suggestion to the tone of your voice, to your expectations of their behavior, to your treatment of them—and in that regard your body consciousness responds to your conscious treatment of it. [...]

[...] Beside using such expression, however, the speakers become the voices in people’s dreams.

[...] You then made a remark, voicing his own fears as well as your own, saying that you would not let him get away with it, meaning you would not let him get away with not going out as a pattern. [...]