“Seth material” search engine (Jane Roberts)

[...] You, Joseph, translate communications into visual form. The time will come at a much later date when you will allow such material entry into your conscious state directly—that is, without the need to project it visually, since here a certain amount of distortion is almost always present.

[...] Jane had visualized a painting of houses and trees. [...]

There are people who work in art departments as a living, gifted certainly more than most with an ability to visually portray an idea. [...]

The visual activity itself stimulates different portions of the psyche, and allows mental concepts to be rearranged while he is thus occupied. [...]

[...] The toes and fingers should be visualized as lengthening also, easily and slowly, and then returning to normal position. [...]

[...] You are watching symbols translated into images that are then visually perceived. [...]

[...] Again, you are each your own artist, and your inner visualizations become models for other situations and events. [...]

My tentative inquiries led me to ask Jane if she thought the axioms of Euclidean geometry, say, are innately valid in describing the mind’s inner reaches, or whether, in ordinary terms, those propositions represent conscious acquired interpretations of our visual experience. [...]

Think of all the techniques that you use when you are teaching—the visual aids, the play principles. [...]

[...] After death, an individual may visualize his (immediately previous physical) life as an animal with which he must come to terms, and such a battle or encounter has far-reaching consequences, for the man must come to terms with all portions of himself. [...]

[...] Use visual data, or words — whatever is most natural to you. [...]

[...] He did not deny the fact of your own visually acute behavior. [...]

(9:59.) Think of yourself as a creative consciousness, capable of both a detailed and an extended, both a visual and a thoughtful, merged focus. [...]

If you want to discover in what month something will come about for example, you may visualize the circle cut into 12 segments, or have this idea in your mind. [...]

(In here I had visual inner images as of stars being born—an attempt, I thought, to put the data into recognizable visual terms.)

[...] That is, you can perhaps sense or remember an earlier moment intuitively or capture an earlier moment visually as in a photograph, or audibly as in a recording. You can through motion pictures refer back to past time, capturing the visual and auditory data of a moment and even the apparent motion of its sequence. [...]

(While delivering the last paragraph of the session, Jane had the parallel perception or feeling that Seth meant she might receive visual data while dictating.)

[...] While talking about action and identity, she had an inner perception of a whole concept, of some kind of inside visual sense of action without seeing any object. [...]

[...] Music is not better than the visual arts, for example. [...]

[...] The information, which was nonphysical, was then transformed into practical knowledge either from inner visual imagery by itself, or through the state of dreaming.