“Seth material” search engine (Jane Roberts)

[...] but there was a fuller visual appreciation or fullness difficult to verbalize....”

My dream of August 16 was difficult to visually present: How could I show my contact with Gus through the seemingly solid glass — show that, as Seth says, desire is action? [...]

[...] She said she had no visual data during the material on the test; just the thought of the toothbrush and of herself. [...]

[...] Whatever the case may be, it apparently makes no difference in the results as far as time goes, or previous visual contact. [...]

[...] Many of mine have been visual, while Jane seems to produce more audio effects. [...]

[...] You have a good visual memory so if you begin to insert the image of the flower, in the same position as the hammer, this will be highly effective. [...]

[...] It was also difficult to visualize clearly enough so that it was not merely a repetition of old ideas, but a new slant on those old ideas. [...]

[...] I visualized them, although we have none to fit and cannot afford to buy them now. [...]

[...] I’d like to frame some of those little pieces, for visually they present the same qualities her poetry does verbally. [...]

I gave him a visual image of the letters, and this is fairly new for him. [...]

[...] Imagine and visualize the energy all around the corner of the house and sky, rushing toward him; then am surprised when mentally the top of his head comes neatly off, like a lid from a jar. [...]

[...] You might call it a visual aid. [...]

[...] You have understood that visually you see details that others do not—simply the world at large. [...]

[...] As in the last session when dealing with the Gallaghers, she had no visual images to accompany her delivery.

There was a visual distortion. [...]

[...] You may not realize it, but your language actually structures your visual perception of objects. [...]

Sometimes the artist in me visually comes to the aid of the writer by laying out pages of material and notes side by side upon a table or two. [...]

(Now here are excerpts from the account she wrote for me of her experiences involving the rain-puddle creature and the light on the evening of February 2. Jane’s narrative and poetry supplement Seth’s own words, and show how she became consciously aware of the unique transformation of her original poetic ideas into visual reality — and how she then carried the creative process another step by converting her new perceptions into more poetry. [...]

[...] Now Ruburt has not, in his imagination, given me a particular physical image, and dreaming at your level involves visual images. [...]

[...] You are doing very well with this visualization of the various portions of the self. [...]