“Seth material” search engine (Jane Roberts)

[...] But an equivalent exists; using an analogy, it is as if ideas are built up not through sentence structure reinforced by inner visual images, but by like “mental” patterns structured through touch and scent — in other words, thinking, but within a framework entirely different and alien to you.

[...] Use visualization or verbal thought — whatever comes most naturally to you; but for that period do not concentrate upon any lacks, just upon your desire.

[...] Or he will be reading well and look up, eyes roaming about the room, and then become disoriented visually.

[...] Unlike the others however this involved more of a feeling rather than any visual images, and made describing it difficult. [...]

Rob has a strong visual memory. [...] My visual memory is poor, in contrast, and so is my eyesight (I have no depth perception). [...]

[...] The visual impression is of an object or representation on two balancing sides of the object, as for example here and here, you see…

[...] And I visually and mentally saw the one in the back side of my neck that went down my neck and shoulder relax and straighten out, so that the blood began to go down easier and quicker. [...]

[...] If you allow yourself the freedom you can draw for inspiration not only from this life’s experience, but for your painting use visual memory from your other existences.

[...] The visual contact, however, is particularly important so that you let the eyes relax. [...]

[...] I am very poor at visual imagery yet their faces came to mind often during our stay at York Beach, and for months later after our return.)

(Jane said she had rather strong images visually of the data; twice she saw her white coat quite strongly. [...]

6. Several of my drawings in Part Two of Adventures relate visually to the idea of an “original self” (or “source self,” in Jane’s vocabulary) that never appears in physical reality. [...]

[...] You stand for a moment longer, gazing down Street Three, taking in the visual area. [...]

(During our 13th session of January 6, 1964, Seth verified this visual data and gave an interpretation of it.

He was bound up with you in the past life and what he did not know then, and he knew much, he has picked up telepathically from you, since the washing machine was a visual distortion of the idea of a ship, which he interpreted as a tub. [...]

[...] Visual data consisted of what the eye could see—and that was indeed a different kind of a world, a world in which a sketched object was of considerable value. [...]

[...] I am not able yet to give him a visual image during a test. [...]

[...] It was as though she heard what Seth was saying, then conjured up her own separate set of visual images. [...]

Your own visual abilities are often used subconsciously. [...]

[...] The pupils of your eyes see far more than you see visually. [...]