“Seth material” search engine (Jane Roberts)

I believe it is a new synthetic varnish. Is there an acrylic varnish?

(“There’s a matte acrylic varnish, and a glossy. Also a picture varnish by Grumbacher that contains some synthetic resin—”)

Some further here with sepia—to achieve something different now, a sunny clear effect, a newness, a way of applying sepia with white; thin-layered, with a particular kind of varnish... (Pause.

(“What kind of varnish?”)

[...] Varnish was often used as an ingredient in mediums. There are and were, many kinds of varnish. A slight lead content in a varnish sounds quite possible.)

[...] There was difficulty with varnishes, sometimes drying before the color upon which they were applied. Also varnishes that did not dry evenly, but with accumulations of oils resulting. [...]

[...] The varnish data is very good, also the fresco material. [...] Quality control was not what it is today re paints, varnishes, etc.)

There was a varnish, finally, that you mixed in with some of the pigments after they were prepared, with the dry pigments after they were prepared, that served as a binding agent that also protected each color from the other one. There was a slight lead content mixed into the varnish.

[...] Right now I’m really blue, my eyes operating poorly; tears warmly close; yet enjoying the dark sky and street as rain threatens… the view of the mountains afforded by the windows; the rock music on the radio; the odd remaining odor of door varnish—deeply loving all of it yet swept through with something like nostalgia. [...]

[...] Matter may be added to the floor in the form of paint or varnish, yet you still call the floor the floor. [...]

[...] The smell of the heat coming out of the air ducts is faintly comfortable as it blends with the still lingering odor of Rob’s varnish. [...]