“Seth material” search engine (Jane Roberts)

[...] Suddenly, without transition, I was Seth again, leaning forward, joking:

[...] And if Ruburt’s voice sounds rather dreary in this transitional phase, I myself am in a very playful, you might say, frisky mood. [...]

Suddenly, without transition, I found myself descending through the air to land on a long narrow porch that was surrounded by a low railing. [...]

(Jane said she hadn’t been in a poor or depressed mood lately so much as a period of transition. [...]

[...] With no transition or advance notice, a vision appeared to him. [...]

[...] You could have made a much less painful transition between complete commercialism and painting than you did, but here at a crucial moment was starry-eyed Ruburt, with his ideas of the poverty-stricken artist; and you can carry on from there.

Certain kinds of medications can indeed help, but those given in your hospitals simply drug the consciousness out of its own understanding, and inhibit the body mechanisms that make for an easy transition. [...]

[...] You have simply formed a bridge that helps it make the transition from one reality to another. [...]

[...] I was not aware of any sharp point of transition. [...]

[...] For when this physical image makes the transition to other realities, then I will speak through another form as each of you has spoken through other forms. [...]

[...] Transitions are more rare in the dream state, since physical time lapses are not necessary.

[...] Transition is simply too sudden.

[...] It gave him information, it helped overcome his jealousy, and it was a transition from surface significance to deeper knowledge.

The transition from Seth’s deep voice and lively gestures was very startling to Phil, who hadn’t heard the other personality speak before. [...]

[...] Seth was right; I had grown anxious wondering just when to dispense with it in a session and let him speak, yet it represented something solid and real that helped the transition take place. [...]

With no transition at all, I sprang up to a sitting position in bed. [...]

[...] It’s a smooth transition in which perception is slowed down topwise, but deepened so that usually unperceived stimuli seem to rise from an underside of consciousness and bodily sensation. [...]

([Jane:] “Now see, he’s coming through much stronger than he used to, and it takes me longer to learn how to manage the transition. [...]

[...] I also suggest that you notice the change once again in Ruburt’s voice; and if I perhaps sound severe, it is only the result of the transition. [...]

[...] It has finally come to me that the dark tunnels of those streets I run on, with their mysterious implications of the unknown, and the fear of the dark that such streets can generate, are physically oriented metaphors for the transition Jane has made to another reality. [...]