“Seth material” search engine (Jane Roberts)

Now, when I come here to speak I focus my energy, not toward this room as a destination, for this room, in your terms, does not exist to me but in these terms, this room does not exist to you. [...]

Your creature feelings toward night, dawn and dusk, have much more to do with inspiration, though a painting, once inspired, may then take so many hours to execute. [...]

[...] What he does is not nearly as important, obviously, as his feelings toward it—and he has highly negative feelings that cause him symptoms when he does not get up and believes he should. [...]

[...] Both of us then watched him begin to very cautiously stalk back through the apartment toward the studio. [...]

[...] Seth’s attitude toward cause and effect will become clear enough in his later explanations of the true nature of “time,” but when Rob first asked the question, Seth answered:

Seth began by saying gently, “Your feelings toward me are connected with other attitudes deeply ingrained within you. [...]

[...] As Seth said three years ago: “Consciousness attempts to grow toward its own ideal development, which also promotes the ideal development of all organizations in which it takes part.⁹

What, then, are those “ideal developments” Jane and I are growing toward? [...]

Then, toward the end of the session, Seth made a suggestion about our living quarters. [...]

This portion is ‘turned toward’ the entity. [...]

[...] Sometimes he feels lost, however, as an emotional human being, groping toward that potential, and he needs to be comforted. [...]

[...] Yet the conflict that developed between her writing self and her mystical self, as explained by Seth in Personal Reality, was only one facet of her intuitive drive toward that expression: As Jane matured, she realized that there were other challenges for her to contend with too. [...]

[...] I began to get cautious toward the end there, in some fashion… I think we’d have gotten more on the nuclear thing otherwise.”

[...] When for fairly long periods there are no witnesses to sessions, then both Ruburt and myself do indeed lean toward unscheduled sessions when informed friends of yours are present. [...]

[...] Seth’s accuracy had picked up toward the end of the data, however. [...]

This will be the direction toward which physics must travel in the future.

[...] I think the results may be good, and certainly they point the way toward what I want to accomplish with my “portraits.” [...]

[...] You are reacting, and have been, to some of your mother’s attitudes toward men who work at home, so you try to prove to yourself and others that this is really not only as difficult as outside work, but more so. [...]

[...] And I felt the same thing happening down toward the arms, and that there was one long tube in particular in my left arm that had been bent and twisted, like a portion of a rubber hose —and that also had to do with the release of wrist and elbow motion, and that that was releasing, getting straighter and unbending. [...]

Some of this has to do with feelings toward your father in this life. [...]

[...] He is delighted with it as long as he is working toward what he wants. [...]

[...] The feeling toward such a house will automatically guide your experiences within it. [...]

[...] And what makes the world go round, and why is it that this darkness in which I am enclosed will soon open, and I can shoot like a rocket toward the sun?” But they know their acquiescence and their affirmation, and so listen to your own for it speaks in a silent voice, and yet it speaks in terms of energy that only here is translated into sound. [...]

[...] They were diverse but in both, in the main, you would have been working toward the same objectives. [...]