“Seth material” search engine (Jane Roberts)

[...] Even now, as I write about him over 16 years later, I feel a strong emotional pull toward him.

[...] These ligaments in particular had been in the process of loosening, before Ruburt suddenly found he could thusly move his head, and look up toward the ceiling while walking.

The impetus toward creativity is a loving one, and the natural processes in both body and mind as lovingly directed.

We will be working toward a simple walk each day regardless of the distance, but as he becomes freer he himself will feel the impulse, as already he feels the impulse to change the rooms.

[...] The amount of time is not important, but his attitude toward it is.

[...] It can hardly be a coincidence that this “opportunity” materialized shortly after we began our new program suggested by Seth, and what we’ve learned about our attitudes toward publicity, scorn and criticism, and go forth. [...]

The sensations in the hips and the legs represent that urge toward motion. [...]

[...] It is only because of my great esteem for you, and my feeling toward your problems, that I do not allow myself full freedom this evening, for the matter of the voice could indeed be quite unrestrained.

[...] Perhaps if Jane and I could do that, a great metamorphosis would take place: The closer we moved through probabilities toward All That Is, the more the tensions associated with the subject in question would transform themselves into profoundly joyous answers and challenges.

[...] That such feelings are rearoused in us at this time is hardly coincidental in view of our lifelong habits and belief systems; our tendencies toward secretiveness and our desires to be as self-sufficient as possible—even with Jane’s very dependent situation. [...]

[...] Not only necessary but beneficial, and the means toward various kinds of value fulfillments. [...]

[...] Not being able to do this at the moment however, I did recall Seth’s very definite statements in the 49th session, page 63, concerning his most conservative attitude toward demonstrations.)

[...] He believes that this is an opulent, luxurious, and wicked society, and yet he yearns toward it with all his heart.

[...] It took me a while to recognize that this had simply been my way of groping toward the realization that Seth, Jane, and I did have a strong psychic relationship. [...]

Ideals are vital, for they provide an impetus toward beneficial action, action that is meant to lead to some actualization of that ideal in fact. [...]

[...] Even art itself seemed to provide but a momentary glimpse of some undefined perfection, toward which you felt intuitively. [...]

[...] I’ve managed to turn my thoughts away from such worries rather successfully lately, yet when they do return they can’t but help cause concern, so conditioned are we toward anything unusual about the body’s behavior representing a state of illness or unease. [...]

[...] Value fulfillment even with the animals insists upon a qualitative enjoyment of life’s existence—one that automatically fosters a loving cooperation with the rest of nature as the individual follows impulses toward various kinds of pleasures. [...]

[...] In our casual conversation I happened to remark that I now had three things going reincarnationally: The Nabene thing, the Roman thing, and the Jamaica thing, toward my chronological “list” of “past” lives.

[...] They attract others until the present seems filled with them, while other imagined ones rush toward you from the future. [...]

[...] He disliked the public from that moment on, and felt resentful toward those whose pictures he took, that his livelihood would be at the expense of their favor.

[...] I have given more material than I can say on the subject of Ruburt’s attitude toward creativity and what happens when he emphasizes the idea of work as work, or as a career, above his spontaneous creativity. [...]

[...] I discussed these notes with Jane when I wrote them—Thursday, July 30—and our individual attitudes toward the mail in general, which is steadily increasing in volume. [...]