Books:
TSM,
SS,
NoPR,
UR1 2,
NotP,
NoME,
TMA,
DEaVF1 2,
SDPC,
WTH,
TES1 2 3 4 5 6 7 8 9,
TPS 1 2 3 4 5 6 7,
ECS 1 2 3 4,
✖
Results 41 to 60 of 94 for stemmed:tend
►
TMA Session Five August 20, 1980
George
Laurel
target
magical
rational
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session Five: Styles of Thought. Combining the Magical Approach and the So-called Rational Approach
– Session Five August 20, 1980 9:08 P.M., Wednesday
Unfortunately, it tends to set up a world view that is then based upon certain material only.
[...]
►
TES4 Session 193 September 27, 1965
label
Lorraine
Lake
test
Seneca
– The Early Sessions: Book 4 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 193 September 27, 1965 9 PM Monday as Scheduled
[...]
For one thing, there are also individual differences which operate, so that any given personality will be more open to particular influences, and will tend to ignore others.
[...]
►
ECS1 ESP Class Session, April 8, 1969
courage
Florence
Lo
Brad
flower
– The Early Class Sessions: Book 1 Sessions 9/12/67 to 11/25/69
– © 2008 Laurel Davies-Butts
– ESP Class Session, April 8, 1969 Tuesday
[...]
We tend to look boldly and courageously into the problems of our society—but lo and behold, what happens to our courage when we think of looking into ourselves.
[...]
►
TES4 Session 152 May 5, 1965
subconscious
resiliency
pendulum
layers
ego
– The Early Sessions: Book 4 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 152 May 5, 1965 9 PM Wednesday as Scheduled
[...]
When one fears to experience seemingly unpleasant emotions, the personality also tends to set up an emotional pattern of rejection that seriously cuts down, also, not only on the expression but the very perception of joy.
►
DEaVF1 Chapter 6: Session 907, April 14, 1980
genetic
determinism
artist
volition
actor
– Dreams, "Evolution", and Value Fulfillment: Volume One
– © 2012 Laurel Davies-Butts
– Chapter 6: Genetic Heritage and Reincarnational Predilections
– Session 907, April 14, 1980 8:47 P.M. Monday
[...]
This psychological face of our analogy has certain formal, ceremonial features, so that you mentally and psychologically tend to perceive only those data that are available within the play’s formal structure.
[...]