“Seth material” search engine (Jane Roberts)

[...] He attended a training school, however, and has a fairly technical position in a nearby factory. [...]

—with great technical facility, regardless of family background, genetically speaking, and again, the reincarnational bank of characteristics accounts for such events. [...]

[...] One note of interest; technically speaking the oil colors I use contain no color named sepia, specifically, though, of course, a range of earth reds and browns are included. [...]

[...] Jane, both as Seth and as herself, had made a good start at tuning-in on certain technical information. [...]

[...] We’re told again and again that technically we’re on the verge of producing artificial versions of many bodily parts, as well as microcomputers that will be implanted within the body to regulate its performance; these advances, plus our “conquering” of disease, pain, and suffering, plus genetic engineering, will soon make it possible for human beings to live indefinitely. [...]

[...] She sensed a conflict between what she wanted to portray, and her limited technical abilities in getting the actual images on canvas. [...]

[...] and a mimeographed list of various addresses furnishing technical help and supplies regarding the conservation of paintings. [...]

(Actually, each sketch, perhaps four inches square, was done to solve technical problems I was concerned with in the series of portraits I am painting. [...]

[...] It goes without saying that Ruburt’s technical abilities and know-how as a writer are developed. [...]

[...] There were many highly technical human cultures, but in your terms not on a global scale. [...]

[...] I will go into this much more deeply, as there is much more to be said on a technical level. [...]

[...] He also brought two questions, one personal and the other very technical, from people he works with at Corning Glass.

[...] Technically an afternoon visit on his part would interrupt the working hours of Jane and me, but we would not really call it a disturbance since we want to sell the paintings.

[...] The idea of an infinitely expanding universe, with all of its stars ultimately burned out and all life extinct, is still the view largely accepted today; it’s based on the red shift measurements of some of the supposedly receding galaxies, their apparent brightnesses, the “missing mass” of the universe, and other very technical data. [...]

[...] By choice, even in trance she attempts to relay specialized information in ordinary verbal terms, without the use of formulas, equations, or highly technical language. [...]

[...] The arguments about evolution can get very technical, so in my notes I’m referring to those aspects of the subject in the barest terms possible.