“Seth material” search engine (Jane Roberts)

[...] If I could just put my head down and relax I’d be so relieved—then maybe I’d switch over to a session.” [...]

[...] When Augustus felt threatened then the conscious mind switched over, accepting as operating procedure the system of beliefs in which Augustus saw himself as all-powerful, secure — but as alien. [...]

[...] He could use it only when he switched beliefs completely.

You switch from channel to channel with predictable results. [...]

[...] You flip the switch and there it is, while all of that background work is unknown to you. [...]

[...] There has been much complicated switching of roles and sex among the family members. [...]

[...] Jane used this fact in protesting to Seth about switching the iceboxes.)

[...] There are indeed however ways and signs that tell you when you switch from one form to the other, and we shall indeed see that you know these. [...]

(After the gesture Jane switched the envelope to a vertical position as she put it back against her forehead. [...]

(Jane now switched the envelope to a vertical position, and as explained on page 242 I marked the object T for top, as shown in the copy on page 236. [...]

[...] A light or wall switch. [...]

(“A light or wall switch.” [...]

Turning it off does not extinguish (expetnrise) it in the way that a light (like) disappears (disappeares) when a switch is turned. Following the analogy (aneleogy), if consciousness were (werse) like (light) a light that belonged (belenge) to you, even when you switched it off, there would be a sort of twilight, but not darkness (darkners).

[...] And then the switch to use of the inner senses. [...]

[...] If circumstances warrant it, however, such information may be switched over to other channels of communication, so that it appears in the form of, say, an impulse to do a certain thing, to call a certain person, or whatever. [...]

[...] To make matters more confusing you may automatically try to interpret the dream events according to your usual picture of reality, and switch channels, so to speak, as you waken.

[...] You could see, for example, your present living room not only as a conglomeration of permanent-appearing furniture, but switch your focus and see the immense and constant dance of molecules and other particles that compose the various objects.

[...] Her eyes closed and she switched the recorder off as she began speaking as Seth. [...]

(Then when we watched the news while eating supper at the coffee table, we soon found the mayhem and related misdeeds recited by the newscasters so depressing that we switched channels to an innocuous Mod Squad show several years old—even though those color backgrounds—Nicaragua, Israel, Russia, etc., were still so fascinating. [...]

[...] You tried to switch over and pick up inside data with the outer senses, and then project this inward. [...]

[...] You switched yourself off automatically because the experience frightened you, but the whole affair was beneficial since it gave you some first-hand experience with pure inner sensory data. [...]

[...] Here we merely switch the focus of attention to other channels. All that is required is that we switch the attention... [...]

(Tonight Jane said she interpreted the data to mean that she momentarily saw Seth’s apparition after waking up, before she switched to usual use of the outer senses. [...]

[...] It also follows that some hints of the soul’s direct experience can be gained by momentarily switching the physical senses off — by refusing to use them as perceptors, and falling back upon other methods. [...]

(A week has passed, and I’m still surprised: Not only has Jane helped me considerably in planning the notes for Psyche, but the other day she switched over to my Introductory Notes for Volume 2 of “Unknown” Reality and began organizing them in the same loose way.

[...] I switched to my Inner Senses to find out what was wrong—but without realizing that I was doing so. [...]