“Seth material” search engine (Jane Roberts)

(Long pause at 4:12.) Politically as well as medically, such distortions have led to unfortunate conditions: the Aryan-supremacy biological ideas fostered in the second world war, the concentration upon “the perfect body,” and other distortions. The idea of the ideal body has often been held up to the populace at large, and this often sets forth a stylized “perfect” physique that actually could be matched by few individuals. Any variations are frowned upon, and any birth defects considered in the most suspicious of lights. Some schools of thought, then, have it that only the genetically superior should be allowed to reproduce, and there are scientists who believe that all defects can be eradicated through judicious genetic planning.

The dilemma was, here now, between truth—a literal translation of ancient records—or a creative approach which could lead to falsification, so he was highly suspicious of the creativity in himself. Through discipline he thought that he had this suspicious creativity well in hand. [...]

In dealing with these records he was suspicious of creativity, for he feared it could lead to original alterations where instead a literal interpretation was important. [...]

[...] Through all of history, one way or another, you have believed in the line of culture leading to your own—that impulses were disruptive, suspicious, and not to be trusted; ignoring the child’s impulse to speak, and to walk and grow, to communicate. [...]

[...] Seth’s naming a good number of class members as counterparts came as no great surprise to Jane and me — but it did make us more than a little suspicious at first. [...]

Ruburt felt some dismay when you told him of the letter about the diet because he felt momentarily threatened—attracted to the diet, and suspicious of it at the same time. [...]

[...] Those qualities of his of which he became suspicious are those that made our sessions and his development possible.

Ruburt’s symptoms were largely protective in nature, providing a defense he felt he needed to protect himself against an unsafe universe from without, and against a suspicious self within.

[...] The dream state appears chaotic, shadowy, suspicious, or even meaningless, precisely because in life you are so brilliantly focused in daily reality that dreams appear to be staticky objective background noise, left over from when you sleep. [...]

[...] Many children, however, are unfortunately taught by their parents to be suspicious of exuberance and high spirits. [...]

(She told me that after taking her nap after supper she began to get “suspicious,” especially so when she became aware of her light hands. [...]

About your dream: (Pause.) You were telepathically picking up some of the thoughts of Joe Bumbalo as he suspiciously wondered about John, because John’s talents and abilities struck him as being too feminine. [...]

[...] But we’re still uneasy over the whole Mass Events affair —the disclaimer question, Jane’s reaction to the book itself since Seth started giving it, etc.—and any delay only serves to make us more suspicious, I’m afraid. [...]

[...] It operates in a restricting fashion only when deeply suspicious of goals, and this suspicion is usually generated by a lack of communication.

The Catholic church, incidentally, as he knew it, while admitting the mystic experience, was highly suspicious of him in that regard. [...]

(Some time later Jane told me she picked up that when Seth spoke Timothy was suspicious—“Seth would speak now, you see, in order to make an impression,” etc.

Energy was feared, expression suspicious unless it was directed and tempered in conventional fashions. [...]

[...] Ruburt was not taught to love himself as a child, and thought of his talents as a way of justifying his existence — an existence of somewhat suspicious nature, he felt, since his mother told him often that he was responsible for her own poor health.

[...] If the weather turned disastrous, the people were in a quandary, reexamining the patterns of behavior, finding perhaps minute differences, suspicious variations, that seemed to occur just before the storm—so these became the new sins.

[...] They included a projection through the eastern wall of our living room, and a “visitor” who returned with her; the Latin title of a book; her awareness of a third eye; some material, with diagrams, of me as a monk who wrote manuscripts in an underground chamber that he later sealed; a vision of Seth in a brown robe, looking as I’ve painted him—but the brown robe was “too easy,” Jane said suspiciously. [...]

[...] So Ruburt became somewhat suspicious when he considered creativity of his own, and afraid that it would not sell because it was creative.