“Seth material” search engine (Jane Roberts)

People must be able to share their views of reality with their fellows, of course—but in your society you are taught to substitute a stylized version for the highly individualistic and unique view of reality that is your own.

(Long pause at 4:28.) A strain develops in the personality as it tries to be faithful to its own private picture of reality, even while it tries to obediently conform to the publicly accepted picture. Dissatisfactions and illnesses then often result as the personality tries to go in two directions at once, and to please both the private and the public parts of its experience. In many cases people forget (long pause) their native, natural method of seeing themselves and the world, and turn outward to the stylized version—and in so doing they lose sight of vital portions of their own identities.

This causes many people to feel as if they were travelers in some strange land—but instead of receiving intimate letters from home, they receive only stylized postcard pictures, that do not bear any resemblance to the home they vaguely remember.

[...] The idea of the ideal body has often been held up to the populace at large, and this often sets forth a stylized “perfect” physique that actually could be matched by few individuals. [...]

[...] In one way this was a highly stylized art, and yet it allowed for both great preciseness of expression in terms of detail, and great freedom in terms of scope. [...]

[...] Often drawings on the cave walls were highly stylized information, almost like signs in your terms in front of public buildings, portraying the type of animals and beings in a given area.

[...] You did help transmit the information also in highly stylized drawings, and to a much lesser extent through highly stylized voice patterns that were taught to students.

[...] Jane insisted the drawing represented a moose; she interpreted the spread of the eagle’s wings as stylized antlers. [...]

[...] Her opinion on the drawing had not changed; she still regarded the drawing as that of a moose, with the eagle’s wings representing stylized antlers. [...]

[...] It showed a life-size, full-face figure of Bill Gallagher wearing a long dark coat, as he stood against a somewhat stylized outdoor background of pyramid shapes in bright colors—either tempera or acrylics.

Many difficulties arise when you compare yourselves to stylized or idealized versions of yourselves—to composite images of yourselves that you may have picked up along the way—a subject that we have mentioned earlier. [...]

[...] In New York now, and across the country, it is difficult to find objective work that is not highly stylized or sentimentalized.

[...] It is convention, in that the medium’s insights are automatically translated into stylized versions that will be understood by those for whom he reads. [...]

In a fashion, those stylized figures that stood for the images of God, apostles, saints, and so forth, were like a kind of formalized abstract form, into which the artist painted all of his emotions and all of his beliefs, all of his hopes and dissatisfactions. [...]

The art and the symbols are closely related, and I do not mean by this that the art is necessarily stylized, as for example the symbols necessarily were. [...]

[...] They’re very stylized, but all real. [...]