“Seth material” search engine (Jane Roberts)

One of the men carries a brown cardboard large envelope, or folder, with strings on it, and records inside.

(These notes hardly do justice to the string of events that led to Carol and Fred meeting Miss Dineen—from the couple’s leaving Watkins Glen, motoring to Elmira, deciding upon how to find us, asking a policeman finally for directions to a book-store, going to the wrong bookstore—Rubin’s—just as Miss Dineen came out of the religious bookstore almost next door, Miss Dineen first directing them to 458 West Water, then remembering that we’d moved, etc. [...]

[...] The face of the tag is gold coated, the string red. [...]

[...] There are several sets of numbers on the front of the receipt, and a string of them along the bottom on the back.

[...] Review his excerpts from the 27th session for February 1964: “It is difficult for me to have to string out this material in words….”

[...] She collected buttons and string and papers, even as she collected animals. [...]

[...] You did not, you see, project them upon a person who could immediately answer them in kind, with no strings attached; but a relationship could be easy, open, and immediate. [...]

[...] I rattled off a string of impressions about them sitting in a long narrow restaurant, and described their surroundings in some detail, including such things as wall lamps, etc. [...]

[...] One woman wears a string of beads, and Philip knows her. [...]

[...] Ruburt wore a string of beads.

[...] Bill Ward’s artwork arrived in a large rectangular package, but contained no tissue paper and bore no ribbons or string; it was instead sealed with tape. [...]

[...] It is difficult for me to have to string out this material in words, and for you to record it. [...]

[...] It might be added here that out of a whole page of strings of letters, there were no instances of accidental spellings of words—not even short words like to, as, but, is, on, etc. [...]

While I had a whole string of dreams along these lines, the following episode illustrates almost all of the phenomena mentioned in this session. [...]

[...] It is difficult for me to have to string this material out in words and for you to record it. [...]

[...] For the poet did not simply string words together, but sent out a syntax of consciousness, using rhythm and the voice, rhyme and refrain as methods to form steps up which his own consciousness could rush.

[...] It is difficult for me to have to string out this material in words, and for you to record it. [...]

[...] And my notes follow: (For the last several days Jane has been telling me about a string of insights and revelations she has been experiencing, both asleep and awake. [...]