“Seth material” search engine (Jane Roberts)

It is early evening. There are these fairly thin wooden posts, but not round (frown, gestures) rectangular at the top, you see. Perhaps hip level, to the left from my same position. The coastline is not straight here. Some sort of a bay effect, to the left. (Gesture right hand.) The land is like this, you see, not straight. The land curves and juts out again.

(We had not checked any maps, etc., for the location of Chula Vista, California [where the brothers live], before the session of course. Before finishing these notes, however, we did check to find that Chula Vista is indeed near a bay; that the coast is not straight there.)

[...] Your brushes were straight and in good condition. [...]

[...] In the analogy he does not start with your perfect brushes however, but with limbs not straight. [...]

I want first of all Ruburt, quite simply, to imagine your penis straight. [...]

Now I want you, in the same way, to picture his arms straight in normal position, and follow the same procedure. [...]

[...] Ruburt can picture, mentally, your straight penis, more easily than he can his own arms. [...]

Action does not always move in what you would consider a straight line. Because you view action in narrow terms, usually seeing it in physical terms only, you are inclined to think of it, or any effort, as a straight line from one point to another. [...]

It is most important, again, to realize that action does not move in a straight line. [...]

good straight legs.

[...] Then feeling of change of direction, more straight upward, yet still retained bedself. [...]

[...] Jane added that when Seth mentioned the right turn, or direction, she had a very definite inner sensation of turning to the right, after traveling in a straight line.

[...] He sits at a straight-backed chair. [...]

[...] The table is a round one, with other straight-backed chairs nearby. [...]

[...] I had straight brownish hair and was rather slim. [...]

(9:32.) Again, his natural abilities kept leading him, so it seemed, away from the straight novel framework into the science fiction format, where at that time he discovered that science fiction was not given any particular honor in the literary field. [...] Again he tried some straight novels. [...]

[...] Later he tried straight novels, but when he let himself go his natural fiction fell into the form of fantasy, outside of the novel’s conventions into science fiction’s form—and at that time further away from the mainstream. [...]

[...] Had one of his straight novels been accepted at that time, the story might be different somewhat. [...]

[...] Straight and free are my arms, so that intuitive knowledge can flow freely through them, out through my quickly moving fingers to the page. Open, straight and free are my arms to search for truths, and to embrace the magnificence of nature. [...]

“My arms are straight and flexible. [...]

[...] It is concerned with the entity’s innate working knowledge of the basic vitality of the universe, without which no manipulations of vitality would be possible—as, for example, you could not stand up straight without first having an innate sense of balance.

Remind yourself that the road between you now is clear and straight. [...]

(This brings us to the first item in the test data, “Two people at a table with straight chairs.” On February 7 Jane and I spent several hours at the Inn, seated on straight backed chairs at a dining table, ready to answer questions from all and sundry.

[...] The self does not however proceed along straight lines, from a birth to a death. [...]

Two people at a table with straight chairs.

[...] Anything at all is going to be of value, and I will start a file to keep everything straight. [...]

[...] So you plot a straight course, it seems, through time, never realizing in our analogy that the wheel’s circular motion allows you to transverse this ongoing road. [...]

[...] Logical thought, using usual definitions, deals with cause and effect, and depends upon a straight sequence of time for its framework. [...]

(A curved line may be a complicated thought, a crooked or incomplete one—and a straight line may be a more simple, direct action or thought. It follows that there are more curved lines than straight ones, both in our art on this plane, in our lives on this plane, and in our habitat on this plane.

[...] a young woman, the full figure, sitting facing me in a straight chair. [...]

(In sum, we probably got exactly what we expected out of the deal, although it was certainly valuable as a reminder of how the psychic field and its members are regarded by the “straight” scientific community. [...]

[...] I must go against the authority, not only of the so-called straight system, but against the authority of the conventionalized occult in its multitudinous variations.

(When Seth directed energy at me in the beginning, Jane saw my erect penis straight, then in a pyramid shape, with the end “rising up and up like Pinocchio’s nose,” she said. [...]

[...] (Pause.) Your questions about the operation of Framework 2 seem certainly to be simple, straight-forward questions, answerable in three or four or five pithy paragraphs (with humor)—and of course I will try to give you a straight-forward reply. [...]

[...] A personality is born in a particular environment that is not clear and straight but crooked, as in a maze. [...] The flexibility, spontaneity, persistence, what have you, none of which he may have acquired had the “road” in quotes been absolutely straight from start to finish.