“Seth material” search engine (Jane Roberts)

[...] Such individuals may try “to get ahead” on the one hand, in society or business or in the arts or sciences, only to find themselves taking two steps backward for every step they take forward. [...]

[...] I then stepped back, still retaining immediacy, reported—and purposefully became less involved. [...]

[Jane:] Go down garage steps some better. [...]

Section 5: How to Journey Into the “Unknown” Reality: Tiny Steps and Giant Steps. [...]

(“Give us a moment, please… With a block or blocks, as rocks or steps of stone.” [...] At any rate it seems that the texture, the rough stonelike feel and appearance of the pigment on the object, could have given rise to the rock or stone impressions which in turn could conjure up the step data and so lead to the idea of a photo.

[...] There is a compliance on the part of the ego, however, that allows it to step aside so that it does not block inner awareness of other-dimensional existence. [...]

With a block or blocks, as rocks or steps of stone. [...]

[...] (Jane learned forward, quite intent.) It was safer where he was, and he hesitated to take that first step. And the step is the publication of the book, and the ideas that it entails.

[...] There may be a definite change to another department on her (Eve’s) part, and this would represent a slight advancement—a half step, but a good one.

[...] You and he were about to step out upon the plain, and he held back because he did not want to disturb the messages.

Now earlier Ruburt told you to take two steps to the left. Now you are ready for a further development in your abilities and two steps at that image will help you for there is a highly dependable personality, and we will not argue over the terms, in approximately that area that, in your terms is a composite of Bill and someone else. [...]

[...] The words are stepping stones to lead you into other areas of experience. (To Gert.) Do not be afraid to step off of the words. [...]

(“Stone steps.” Although it does not show in the photo itself, just beyond the photo would be the back steps of the couples’ house in Santa Monica. [...] A flight of four or five steps, stone or concrete, led up to the back porch of the main house.

Stone steps. [...]

[...] And it is a first step and a good step. [...]

([Hope W:] “Seth, can you suggest what specific daily steps I can take to develop my inner senses?”)

Humility only steps of knowledge. Not 1 big step.

[...] Normal legs do not —they change with each step, and his are beginning now to move as they should.

This is something different, representing on your part an impatience, an urge to step out strongly as far as your own work is concerned. [...]

[...] For the poet did not simply string words together, but sent out a syntax of consciousness, using rhythm and the voice, rhyme and refrain, as methods to form steps up which his own consciousness could rush. [...]

[...] The creative abilities become even more available, hence his new creativity, and the new physical steps he has taken. [...]

His people series is a step to something else, a good and necessary step from which a new development will mature. [...]

[...] (Pause.) Ruburt has only now begun to take those necessary steps that lead to total commitment. [...]

[...] He has taken definite steps, and made positive gestures that he would not have made in the past.

[...] The steps are from the side, three or four. [...]

[...] There are steps and men sit on them. [...]

[...] Convincing Augustus that he was under the domination of an evil entity would be step one. Step two, getting rid of the intruder, could at least follow. [...]

It is foolish to say “Why does it take so much time to learn?” For each learning process is highly unique, and contains within it particular achievements that you yourself want; and these achievements not only rise above the difficulties, but in the greater view the steps are seen as steps “upward”—the individualized problems understood as the same kind of challenges you might set for yourself to conquer in a painting, or as part of the entire creative process.

He took these steps for his own reasons, but you have come together in a joint reality, so his situation is teaching you things that you wanted to learn, and you are learning through his example. [...]

Each such incident is like, now, a small morality play, with a lesson to be learned, and therefore each such incident is a step ahead in terms of progress and understanding. [...]

He at least wished he could go into the yard this afternoon, once he imagined that he could make that step out. [...]

[...] Today through such activities he found himself, if in a simple fashion, taking a few steps without his table to get where he wanted to go. [...]