“Seth material” search engine (Jane Roberts)

You are remembering it and creating it at once, watching it grow from the attention of your own love and knowledge, and as you seem to stand at its center, so you stand at the center of all of your dreams, which then spin themselves seemingly outward.

If you stand
at your porchstep
you can sense the
universe
at your fingertips.

I do not want you to think that the answers to your questions lie prepackaged in the dream state, either, relatively inaccessible except to those (long pause) who possess unique talents or some secretive knowledge of the world of the occult. Many people, long before the time of printing or reading, learned to read nature very well, to observe the seasons, to feel out “the seasons of the soul.” The answers, therefore, lie as close as your own back-door steps, for at the thresholds of your beings you automatically stand in the center of knowledge. You are never at the periphery of events.

Regardless of your circumstances, your condition in life, your training or your aptitudes, at your own threshold you stand at the center of all realities—for at your center all existences intersect. You are everywhere part of them, and they are of you. Each portion of the universe carries the knowledge of all other parts, and each point of a reality is (underlined) that reality’s center. You are, then, centered in the universe.

that does not stand up within itself

that does not stand up within itself and shout

I stand up within myself and shout the

[...] When first she stands up, she “stands taller,” as she puts it. [...]

The “prediction” I gave concerning Ruburt’s health still stands. [...] Yet he stands for a definite personality in ways I have not as yet explained.

(“Four people standing up.” Four people were involved on our second visit to Saratoga, of course, but we don’t know what the standing reference involves.

[...] Four people standing up. [...]

(“Can you say something more about the four people standing up?”)

[...] I asked Seth to elaborate on the four people standing up data. [...]

[...] They can stand and look out over the ocean and sight two or three other islands, one they have visited. [...]

[...] There is a light behind him also and he stands at a partially opened door, and our friend the Jesuit speaks to him. [...]

The Catlover stands on the ground, waiting, and this structure is also facing the water. [...]

[...] The old man also stands for Ruburt’s father, as Ruburt thought of him bumming around, frittering away his time and energy, so he was stealing from the pot. [...]

[...] The amphitheatre stands both for the world, and for the dramatic action of your lives, in which your ideals and aspirations are actualized or played out to whatever extent. [...]

Pat was chosen symbolically, yet stands for a definite situation, when you two visited Boston on tour. [...]

[...] The brave portions of your personalities went on helping each other, as per the dream, until Pat Norelli, as Ruburt, easily working through belief systems stands center stage, ready to speak to other frightened portions of yourselves still on a high ledge. [...]

[...] They can stand and look out over the ocean and sight two or three other islands, one they have visited. [...]

[...] There is a light behind him also and he stands at a partially opened door, and our friend the Jesuit speaks to him. [...]

The cat lover stands on the ground, waiting, and this structure is also facing the water. [...]

[...] Symbolically, however, the attitude itself is highly therapeutic, since it “stands for and represents” many important issues in his life—and in settling one you settle all in this regard. [...] (Long pause.) To some extent Peggy (the nurse) stands for the medical establishment, of course. [...]

(9:34.) Take a very simple action: You stand at a corner, wondering which direction to take. [...] You stand for a moment longer, gazing down Street Three, taking in the visual area. [...]

[...] If you had to stand there and write down all the thoughts and associations connected with each course of action before you made your decision, you might never cross the intersection to begin with. [...]

[...] But while you stand almost equally attracted by streets Three and Four, then you send out mental and psychic energy in those directions.

[...] As you stand there, then, in this case two such projected images go out onto streets Three and Four. [...]

For example, I’ll see, say, Rob’s head with our floor stand growing out of it into a new kind of object.... [...]

*Write these notes standing up!

[...] Ruburt should like this, for the actress stands for your idealized version of Jane, as a star however in a different theater. You are at her side, and the supermarket stands for the marketplace.

[...] In the latter Seth tells us: “Seth Two stands relatively in the same position to me as I stand to the woman [Jane] through whom I am now speaking.”

[...] Both of you found it quite necessary to take a strong conscious, critical look at the material from the beginning, for your trainings told you, in the terms that you understood them, that the “subconscious” could be very misleading, though creative, and that therefore you must critically examine any intuitive productions that profess themselves to stand as truths rather than as creative fictions in your world.

[...] The subconscious is of course a hypothetical terms that stands for the portions of the self at which normal consciousness and the source self meet. [...]

Your immediate situation and all past ones, regardless of personal fears, which should not be discounted, result from Ruburt’s until-now determined decision to stand critically apart from his intuitional knowledge. [...]

[...] Another person says something I’ve forgotten to the idea that… the ocean water or sky, … were dangerous or maybe that it was lightening, but I dismiss this, stand in the bathtub and the water is great, hot and soapy. [...]

[...] But it still seems like you can only stand so much: two people in a household,” she said cryptically. [...]

[...] Then I get the feeling that scares you even more—that you’re scared to death of the hospital, and yet you’re afraid to dismiss your doctor and say to hell with the whole bit—I must be hiding stuff, see, because I’m getting ready to cry, because the time might come when you couldn’t stand it any more, and you’d have to do it—go back to the hospital—go through it all again—then I just tell myself I’d make out again, just like millions of people....” [...]

[...] Standing, the top part of me straightens for a few minutes. [...]

[...] But take one stand or the other.

All information given by me concerning the future and the books stands.

The image therefore of yourself standing with the knowledge of the unspoken, the unexpressed, on the verge of new expression. [...]

“If you will remember our imaginary man as he stands upon a street, you will recall that I spoke of his feeling all of the unitary essences of each living thing within his range, using the first Inner Sense. [...]