“Seth material” search engine (Jane Roberts)

[...] (Pause.) In his thinking, in the quality of his thoughts, in their motion, he is indeed experimenting with a unique and a new kind of reality, forming other subjective worlds which will in their turn grow into consciousness and song, which will in their turn flower from a dream dimension into other ones. [...]

[...] That person, perhaps thinking of buying a present for someone, might settle upon a vase in a flash of inspiration, or suddenly begin humming a song with the name “Sarah” in the title, or possibly even think of your aunt. [...]

[...] In the dream state, however, a rose can be an orange, a song, a grave, or a child as well, and be each equally.

[...] We will have a very brief Sumari healing song.

(Sumari came through with a lovely song.

(“The incredible sweetness of their songs followed me even while I found myself laughing…. [...]

[...] They were held in veneration, and they cast their knowledge into songs and stories that were memorized throughout the years. [...]

[...] Their belief in dreams, love of music and song, even a certain mystical feeling of connection with the land—these elements were allowed the Negroes only because they were not considered fully human. [...]

[...] He played one of his own songs on camera. [...]

[...] Did I get that across yet or did you like my song? [...]

[...] A new, more complex dimension has been showing itself in the songs lately — now, often, the “words” and notes are short and rapid as they flit agilely up and down the scale. [...]

Occasionally Jane will record a Sumari song when I’m out of the house; I may hear her play it later, but I don’t “bug” her about sharing it with me. With the increase in her symptoms her songs have become more subdued, more poignant. [...] And sometimes I hear her voice break in mid-song. [...]

[...] She listens to the first songs of the birds. [...]

Your own discussions, and the improvement in your relationship as I told you, in one way is responsible for your latest developments in our sessions, and I include the Sumari—the songs, and the statement. [...]

[...] Following that line of thought, then accidentally, if you follow this through, a group of atoms and molecules were sparked into consciousness and song and then will return to the chaos from which they came. [...]

[...] And when I say that they did this, they did it joyfully and with a great exuberance and yet, also, they felt this portion of their own consciousness leave them and escape from them and so, to some extent, they cried to see a portion of themselves forever leave and yet they did this that you might have existence and song. [...]

11. In Chapter 8 of Adventures, Jane used her Sumari poem, Song of the Pear Tree, to present some examples of such layered, or deeper, meanings. [...]

a single double song

[...] She had maintained her unusual sing-song voice until the end. [...]

[...] Jane also sings in Sumari occasionally, and has written down a few short songs in that “language” without translating them. [...]

With songs not of our singing,