“Seth material” search engine (Jane Roberts)

(The sketch of Nebene is rather successful and would make a good painting. Most interesting is the pendant I showed him wearing; I did a couple of enlarged sketches of this feature, noting that I didn’t understand its meaning or origin. [...]

That is what happened with your sketch.

[...] Do sketch.

[...] He made a quick sketch on the back of the already used paper and passed it to me. [...]

(Bill’s first sketch of the effect he saw on Jane’s closed eyes during the session.)

(Bill’s second sketch. [...]

Jane has been doing 3” × 6” sketches in concert with her poetry about nature. [...] We usually keep her sketches covered, however, since their colors begin to fade after a few weeks’ exposure to light.

[...] It’s from a number of sketches and untitled poems she did as a birthday book for me last June:

[...] If you do not make artificial divisions, but see the day as your own, and know your intents, then you will find that while doing Dialogues, for example, ideas for paintings will come, and that while thinking of Larry’s (Herschaft) sketches you will also find future paintings coming to mind.

Sketching for Ruburt’s book, in line with your present beliefs, is “safe.” This comes under a different category for you: helping Ruburt, and can be used also to release your sketching abilities. [...]

Now he began to draw and sketch, and to learn how to build images in the mind that were connected to real exterior objects in the presently accepted manner. [...]

[...] When he became involved with sketched or drawn images, he began to imitate their form with the shape of his lips. [...]

Ruburt might benefit from sketching, as he planned. You, Joseph, might find it most beneficial to sketch for future paintings. [...]

[...] Sketch whatever comes into your head. [...] When you feel like sketching or painting, when an idea springs into your head, try it immediately. [...]

[...] I showed Jane the pencil sketch of Mrs. Johnson that I’d done at the time. [...] I plan to do a small oil painting or two of the sketch I’ve done of Mrs. Johnson, plus another image of her that I hadn’t drawn at the time, but retain well.

[...] Some illustrations from an initial sketch to a completed painting should be included.

If during that time nothing in particular comes, then let him sketch, for the sketching reinforces playful creativity. [...]

[...] Your friend Larry (Herschaft) was quite perceptive, and your Dialogue sketches and the rock (face) show on your part a growth qualitatively of artistic understanding, and technique used to the service of inner realities.

[...] The dreams were still so vivid, particularly the first episode, that I also drew a quick sketch of the building with the decontamination center in it. [...]

Looking over my shoulder now, Rob pointed at the sketch I’d done with the dream. [...]

[...] Something about it struck a familiar chord: The whole bottom of one page was given over to a sketch of a kangaroo. [...]

(Jane told me that “at the tail end of the session,” she had picked up this idea from Seth; I could tape a session, and while it was in progress I would be free to do a series of sketches of her speaking for Seth. From the sketches I could then do an oil of her. [...]

[...] And determined that he would try to circumvent it—hence your sketches in Dialogues; for despite your avid and determined dislike of the marketplace and its imperfections, of which he is more aware than you think, he thought that he would still see to it that your talent was placed to some extent at least before the world —rail as you would against the stupidities and poor craftsmanship. [...]

[...] Class members passed my sketches around. [...]

[...] One class member, a close friend whom I’ll call Peter Smith, is an artist and sculptor; after studying my Roman sketches, he had a note passed across the crowded room to me:)

[...] Peter told me after class that my sketches had instantly rearoused his memories, although in his experience he’d seen the event from different angles. [...]

She’s also done her first two colored-ink sketches, using one of the 4” × 6” watercolor pads I’d bought for her last year. In these sketches, with their simple but very effective patterns of line and primary colors, Jane somehow bypasses her everyday challenges and very clearly reflects her basically mystical view of the world. [...] I’ve been careful to collect for our own records the prose, sketches, poetry, and Sumari she’s produced during this time of healing and testing.

[...] I took it for granted that he wouldn’t consider that we had any scientific evidence, but we did have the nearly identical sketches, and the impressions were correct. [...]

[...] Pieces of paper Rob picked up in the streets, leaves, beer coasters, chunks of hair, photographs, sketches, bills—all were used at one time or another. [...]

[...] I’m writing a prose sketch of Father Trainor. [...] I wanted to describe his poetry readings for the sketch.