“Seth material” search engine (Jane Roberts)

[...] The little sketch used as object shows but the top few leaves of the giant begonia. [...]

(Dr. Instream agreed with Seth’s brief sketches of Dr. Rhine and the other director. [...]

[...] I made a crude sketch of the head. [...]

[...] On any given afternoon certain elements of experience will be “given,” roughly sketched in. [...]

[...] Jane often sketched it from our living room windows.

(For what it is worth, earlier in the afternoon I had been wishing I had a model handy, for I felt like doing some quick sketches as a relief from the constant oil painting. [...]

[...] It will also be to your advantage to make a habit of taking a sketch pad with you to parties and so forth; since you are known as an artist, this will not be considered unusual or strange, and your own work will benefit. [...]

[...] The kitchen is very small, but on the spur of the moment I used a brush and black waterproof ink to do a quick sketch of a tree on a limited space next to the windows. [...]

[...] In Note 4 for that session I described how I’d seen myself as a very old man, and made a quick sketch of that vision; I added that the episode had in turn reminded me of observing my father as he lay dying in February 1971, at the age of 81. [...]

[...] See the sketch on page 51. [...]

[...] Ruth being a few years younger, her physical dimensions at that time would closely match the young girl I drew in my pen and ink sketch of the experience. [...]

(Seth said the oil sketch I have begun of my vision, described in the notes for the 183rd session, is very good. [...]

[...] See the sketch of the abstract on page 39. [...]

[...] Had you been even more aware, for example, it would have been fairly easy for you to perceive more than you did, and you could have done it through sketching. [...]

[...] A target sketch was to be tacked on the inside of my door each day. [...]

[...] See page 152, for a sketch of the full page from which the object was torn. [...]

Now this is my outline for the book, but it contains merely a sketch of my intentions. [...]

“I’m going to do a sketch or painting of it,” Rob said. [...]

[...] See the sketch on page 88. [...]

As far as the ink sketch is concerned, do not forget that while your man was imprisoned by his senses, in trying to reach beyond them in your physical universe your man could not perceive anything at all; and yet it is through these very earthy senses that he has a chance to glimpse beyond, or indeed realize that there is a beyond to glimpse.