“Seth material” search engine (Jane Roberts)

These eight to ten volumes are meant to show Jane’s and my growth—in the most literal way—but always that of my wife, above all else. [...]

I am no poet, and I know it, and I show it, da de da de da.

[...] Now she looked at me and attempted by gestures to show what she meant. [...]

[...] I am going to quickly embark into the universe of negative matter, but briefly, only to show you the interwoven quality of existence; and how we will follow it in discussion.

You are secure as long as you put a good portion of energy into painting, but this distortive expectation of yours could end up making you bitter even against your painting; because even when you are pleased with your work, it could tend, definitely, to prevent you, in strong terms, from seeking not only financial reward from it, but other satisfactions as well by preventing you from showing it where such showing in galleries and exhibitions throughout the country is important.

[...] If I can afford to be undignified and show myself then it seems to me that you can. [...]

[...] Now be assured that the answers will show themselves there for they are there now. [...]

[...] To show what was happening I’m including, in parentheses after the corrected word, some of the mistakes my notes contain.)

[...] The following material shows the relationship between my vision effects and the events in the session itself. [...]

This can show you what was missing from your home station if you know how to read the clues. [...]

[...] When I woke up I made another little drawing: I showed my Roman-captain self still face down in the water, but entangled with the branches projecting from a waterlogged tree trunk — I’d been caught that way for a while, before a group of fishermen on a North American beach hauled body and tree ashore in their net. [...]

[...] If, under conditions naturally safe in the terms of primary experience, you become overwhelmed by unsafe signals from secondary experience — that is, from your reading or whatever — you show a lack of discrimination. [...]

Your body then might say you are safe, and your senses show you that no danger is present — yet you have begun to rely so upon secondary experience that you do not trust your creature reactions.

[...] Animals, for example, could not imagine such an idiocy, so that the theory shows the incredible accomplishment of an obviously ordered mind and intellect that can imagine itself to be the result of nonorder, or chaos — [you have] a creature who is capable of “mapping” its own brain, imagining that the brain’s fantastic regulated order could emerge from a reality that itself has no meaning. [...]

At the same time, Jane and I checked a number of biblical references on the New Testament — and discovered that Seth’s passage seems to be a case where he shows a knowledge we don’t consciously possess. [...]

[...] It shows the rate of progress. [...]

[...] These men are showing the nation the difference between ideals and actions. [...]

[...] She didn’t show up while I was there. [...]

[...] I said that was an excellent sign, for it showed the body was starting to move out of its safe schedule of doing movements at just one time of the day. [...]

Praise him, without of course overdoing it (smile) but praise him when he is doing well and showing improvement, and encourage him. [...]

[...] Her eyes were closed, and remained so once trance began to show itself. [...]

Their objections should simply show you why our work is so important. [...]

The collection will include our family trees; my father’s journals and photographs; Jane’s and my own grade-school, high-school, college, and family data; our youthful creative efforts in writing and painting; the comic books and other commercial artwork I produced; our early published and unpublished short stories; my original notes for the sessions; session transcripts, whether published or unpublished, “regular,” private, or from ESP class; tapes, including those made in class of Jane speaking for Seth and/or singing in Sumari; our notes, dream records, journals, and manuscripts; our sketches and paintings; Jane’s extensive poetry; our business correspondence; books, contracts, and files; newsletters about the Seth material, published in the United States and abroad (independently of Jane and me); the greater number of letters from readers—in short, a mass of material showing how our separate beginnings flowed together and resulted in the production of a joint lifework.

[...] Merely turn the focus of your awareness in another direction and freedom shows itself and time is seen then as the figurative closed eyelid that deceives you. [...]

[...] He glowered at our friend Ruburt with great vehemency, projecting all of the energy at his command to show that he would not be cowed, and that if anyone took over the situation he would be the one to do so. [...]

[...] Nor is it inherently focused in the particular age period in which it now shows itself. [...]

[...] He will of course have other and more extensive such experiences, but overall the mental work is now beginning to be strong enough in your framework, so that more and more results, in your terms, will show themselves.