“Seth material” search engine (Jane Roberts)

[...] Some of da Vinci’s sketches already show that tendency, and he is fascinating because with his undeniable artistic tendencies he also began to show those tendencies that would lead toward the birth of modern science.

[...] One of the first dated European woodcuts, showing a religious figure, appeared in 1423; a book bearing woodcut illustrations was produced circa 1460; the first Roman book containing woodcuts was made in 1467. [...]

The changes will not suddenly show themselves. [...]

[...] It will show expansions in the manner in which we allow ourselves to operate. [...]

[...] This painting shows a much younger blond man, bearing no resemblance to the other portrait. [...]

[...] They will increase your powers of concentration, and will also show themselves in your own work.

[...] I saw the chimney of the other house in the test photograph, but this does not show there.

[...] No chimneys show in the photo. [...]

[...] [I’m sure others have had similar experiences: Once a subject is focused upon, data relative to it seem to leap out from the background welter of daily events and “facts” surrounding one’s life.] Almost automatically, many of the notes for this appendix came to deal with the scientific thinking about evolution, and I realized that I wanted them to show the differences [as well as any similarities that might emerge] between Seth’s concepts and those “official” views prevailing in our physical reality.

[...] For that matter, all of the material in this appendix shows the interrelationship between our ideas of serial time and Seth’s simultaneous time. [...]

(This presentation from the 44th session shows clearly just how much of his philosophy Seth had given Jane and me by then. [...]

One of the main attributes of this value climate is spontaneity, which shows itself in the existence of the only sort of time that has any real meaning — that of the spacious present.

[...] Before this book is done I hope to show you precisely how you create each minute of your experience so that you can begin to exert your true creative responsibility on a conscious level — or nearly so.

[...] The place looks terrible, although Frank said some of the wild flowers he planted out back are just beginning to show through the straw and grass mulch.

(Before the session Jane showed me the paper she’d written this afternoon, on the direction she felt that Seth would be taking in Mass Reality. [...]

[...] So poetry lately, again, does not fit in, for he must have a certain number of pages to show “that he has used his time properly.”

Some portion of you rises up to say yes when your own finest abilities show themselves in whatever form. [...]

[...] When necessary, such reactions are meant to show the personality that changes are due. [...]

(Before the session we talked about the firewalker’s performance on the recent Alan Neuman show. [...]

Even when nothing shows in Framework 1, if you have properly inserted your desire there, then all the proper circumstances and conditions are being brought together. [...]

(All of the following historical dates are quite approximate, but they show the overlapping pattern of the physical lives of the three personalities making up the Christ entity.

[...] The other changes will occur generally over the period of a century, but the results will show far before that time.

[...] It often looks askance, however, at any investigations that might show man taking advantage of that independence now. While it preaches the survival of the soul, it is suspiciously uninterested in studying cases in which there seems to be communication between the quick and the “dead.”

[...] As the excerpts show, though, he has made it plain that the characteristics by which we know him are only a portion of his personality and those he finds most helpful in getting our attention and delivering the material.

Rob asked Seth once if he was always available to us for a session, and Seth’s answer shows clearly that we have more than a simple one-to-one relationship. [...]

Seth has promised to write his own book, dictated during sessions, in which he will answer some of these questions: “In my book I will show the personality from the inside out, so to speak. [...]

[...] Theresa Smith showed Laurel and me color photographs of her very original modern art in progress, and talked about her goals. [...] Then I showed the group some of Jane’s art and my own.

I showed our guests the portrait of Seth that I had painted from my vision in 1968, as well as my paintings of Jane both before and after her death. [...] I also showed our visitors several of my portraits from my own past lives, both male and female, that Seth had mentioned long ago, or that I’d tuned into through dreams. [...]

[...] Sometimes I think I’m a slow learner: It took me a while to realize, for example, that the responses to the Seth material by mail and in person—and now electronically—are actually myriad extensions of that work, showing in all of their varieties the questions and answers it’s raised and the beneficial effects it’s had on the many who have communicated since Jane held her first real session on December 2, 1963—and on those who still do. [...]

[...] Often they helped greatly, as the record will show in my attempt to publish all of the Seth material. [...]

[...] By the time critics’ voices become noisy we will be ready to show what we can do. [...]

(Without opening her eyes, Jane held the envelope before her in a horizontal position, and moved it from side to side to show horizontal movement. [...]

[...] As the copy of my tracing shows these stickers are applied to the appropriate merchandise at various times of the year.

[...] On the original tracing-paper drawing my pencil smudging on the back shows through easily, and gives the drawing a cluttered or crowded look in the center. [...]

Your condition following your first exercise bout should have showed you how badly you were in need of the treatment. [...]

[...] The tree has enough sense not to show blossoms in the middle of a blizzard. [...]

[...] Your particular ego’s function is to show this work to the world as you know it. [...]

[...] I do not tell you this to make you feel badly, only to show you once again that you should trust your impulses, because in your particular case your ego has overbuilt its defenses.

[...] The practice will soon show excellent results. [...] This has been a most enlightening session for you, and we have achieved results that do not show here yet. [...]

I am interested in these matters because they will show the ways in which the personality handles such data. [...]

[...] Bill showed us his Japanese “tranquilizer,” a small black wooden carving he had bought in Puerto Rico.

[...] Someday we shall show that face, and this face (Jane pointed to herself) for I am a stubborn gentleman, and in my own time we shall indeed give quite adequate proofs of what I am.

[...] The map has recently been authenticated, and purports to show the Vikings in the New World several centuries before Columbus.)

I’ve been using the massage technique you showed us on Jane with very good results. [...]

(Usually we keep the records of her ESP class in a separate set of three-ring binders, but Jane wanted to insert this one as part of Session 393 in our “regular” sessions: She wanted to show Seth discussing a subject that was emotionally very important to a class member—Audrey Shepherd—whose adopted son had died by drowning last summer.)

Thousands of books could be written, showing how such patterns work in individual lives, and in mass encounters. [...]

[...] Your Tom and Jerry shows are another. [...]

Now, if there is one thing I try to do in these sessions, again through my personality as I show you, and that is an old (words lost)is to show you that spontaneity is important and that death is not the ending that you suppose, and that no hobblegoblins are waiting to get you when you die, and that you are going to be very busy when you are finished with this existence as indeed I am still busy. [...]