“Seth material” search engine (Jane Roberts)

[...] One of them plays an accordion, the other two hold sheets of music on which the scores are clearly visible. [...]

[...] Here’s the note Jane wrote this morning and inserted in Volume 77, where I’m keeping a few sheets of paper to record the next session: “Something from Seth over the weekend—only got a little—something about earth’s grid of perception being so constructed that…. [...]

[...] An hour or so before this evening’s session, without telling Jane beforehand, I made a black ink drawing of the symbol below on a small sheet of paper. [...]

[...] As she looked around at us she felt that she saw us once removed, or as through a sheet of glass. [...]

[...] He had a drawing board to which he had fastened a sheet of rough watercolor paper, and carried this around with him. [...]

[...] Just beyond my board is a very large table that is used to spread out very large printed sheets before they are cut up into individual cards, etc. [...]

[...] After the experiment I had to tape it to a sheet of paper in order to preserve it for the notebook in which we keep our envelope objects.

[...] He asked for a sheet of paper and immediately set to work on a sketch of what he had seen. [...]

[...] Among other papers I finally turned up half a sheet of blank paper, and gave Jane the pen I usually used to cross out items on the grocery list. [...]

[...] We don’t know, unless Seth perhaps referred to the fact that the object was made up of a folded sheet; perhaps as Jane held the envelope page 1 of the object facing her.

[...] If you have a tendency to scribble, then use loose sheets of paper and later transcribe them in the notebook. [...]

[...] Next comes the finished work for publication, which I’ll produce by placing a sheet of clear acetate over each guide, then rendering on that untouched surface the final version in “line,” or pen and ink. [...]

[...] The original drawings were done in blue ballpoint on separate sheets of paper, and here have been superimposed and traced in black to facilitate reproduction. [...]

[...] Bill asked for a sheet of paper and immediately set to work on a sketch of what he had seen. [...]

[...] Our program of self-help gradually began to diminish, as had many of them before.⁸ Finally, in an effort to cheer up Jane one day as she sat idly at the typing table in her writing room, I tried a variation of a tactic that had worked so well for her inception of Seth’s The Nature of the Psyche almost six and a half years ago: This time, standing in back of her, I put my arms around her and rolled a clean sheet of paper into her typewriter—but here’s the note she wrote the next day:

[...] But seeing myself transformed more or less into plain black and white words on a sheet of paper seems dull and uninteresting. [...]