Results 1 to 20 of 36 for stemmed:sheet
(See pages 152 and 153. Election Day sales are mentioned specifically in the headings for the sales described on both pages 11 and 12, from which the object was torn. Gubernatorial is a word in the vernacular. Blue is referred to both on the object itself on the page 11 side in the line: Norwegian natural blue fox… etc.; and is torn through on the page 12 side in the line referring to a sale of thermal blankets: White, green, pink, blue, gold. Blue also appears on page 12 of the full sheet, in a list of colors for imperfect sheets on sale, and in other places on page 11/12.
(“A seven times six, or 42.” There are many numbers on both sides of the object and its parent page, 11 and 12, since the page features sales of bedding, blankets, sheets, cases, etc., all by size and color and dimension. There is a 42 on page 12 of the newspaper page from which the object is taken. See page 153. In the upper right area of an ad, pillowcases are quoted: 42 x 36 inch, etc.
(See the article indicated to the upper left on page 12 of the full sheet, page 153. The article concerns the efforts of a priest to build a seminary in Portugal. The priest’s order, the Dominicans, had been expelled from Portugal in 1834, and was readmitted in 1940.
(“Connection with a monstrosity, as of a monstrous building, perhaps old Victorian. The first impression was of monstrosity, the rest is interpretation.” See the article indicated to the upper left on page 11 of the full sheet from which the object was torn, page 152. This concerns the prison population of Portugal’s prisons, and the prison system itself. Discussed in the article is the building of a network of modern establishments, to “replace a few big antiquated prisons,” etc. Other references include such phrases as “prisons were of very low standard,” etc.
[...] The envelope object was made on a sheet of Jane’s yellow typing paper—the kind called second sheets.
[...] The object was a sheet of yellow paper upon which our young friend Don Wilbur doodled various numbers and words on the evening of Friday, April 15. [...]
[...] The whole sheet was used and was folded in quarters.
[...] It was written with a dark pen on a sheet of yellow paper, not punched, and the size of this page. The sheet was folded as indicated above, then enclosed between the usual two pieces of Bristol and inserted into the usual double envelopes. The back side of the sheet was blank. [...]
[...] Later note by Rob: Including sheets. Sheets and half dressed are mentioned in poem.
(The object is a poem written to me by Jane on a sheet of yellow paper, in a dark pen, and dated July 3,1966. [...]
(Last night, April 10, 1964, just before I fell asleep, I had the following experience: My eyes were closed but I saw a sheet of paper filled with script that I recognized to be the handwriting of Dee Masters, my supervisor at the Arnot Art Gallery where I work in the afternoons.
[...] I bought two sheets, 4 x 8 feet, at the lumberyard in Wellsburg on July 15. Since this particular kind of Masonite is hard to find and the Schuyler lumberyard had a good supply, I decided to return to Wellsburg on Saturday, July 23, to buy two more full sheets. [...]
(The object shows I bought two full sheets of Masonite, each one 4 x 8 feet in dimension. The worker previously mentioned at the lumberyard cut the sheets in half so that we could load them into the car. [...]
[...] The object is trimmed from the linen canvas I bought at the Art Shop, and this piece of canvas was glued on to large sheets of Masonite so as to have a firm support—the experiment I had in mind which was referred to later.
(The tack holes running along one edge of the object resulted from the canvas first being tacked to a sheet of board, then wet so that pre-shrinking would take place before the gluing process.
(Reduced copy of the tracing of the sheet of yellow paper with numbers and words, used as the object in the 49th envelope experiment, in the 254th session for April 27,1966.)
“A terrific little dream that beautifully states its message: Mary’s ideas of romance and making love (represented by modern-day flowered sheets) are being transposed from the bedroom into the area of her art, and in a way that mars the art itself. The transposition of the flowered designs of bedsheets to sheets of paper is great; Rob chose a sketch pad rather than, say, typing paper, I think, because painting is his art while Mary’s is writing. [...]