“Seth material” search engine (Jane Roberts)

[...] You cannot see your thoughts, so you do not realize that they have shape and form, even as, say, clouds do. [...]

[...] “I wouldn’t mind seeing the age of 100, though, if I were in good shape,” Jane said as we discussed this note. [...]

[...] The Brotzanin II had not been in very good shape when Seth acquired her. [...]

[...] So does it enter as one thing many times, and so does it emerge as something different many times; and so does it change shape and content, and so does it show many faces and yet never disappears. And as air seems invisible so does this vitality seem invisible, and yet like air this vitality gives shape to every object that you see, and so does it form every camouflage. [...]

The ability to do this is not predestined in any way, shape or manner, but it seems to be inherent, unpredictable; but one of the basic characteristics of any given fragment.

Now: In my home environment I assume whatever shape I please, and it may vary, and does, with the nature of my thoughts. [...]

“The therapy of value fulfillment will attempt to put individuals in touch with their basic instincts, to allow them to sense the impulsive shapes of their lives, to define their own versions of the ideal through the recognition of it as it exists in their own impulses and feelings and abilities, and to help them find acceptable and practical methods of exerting their natural power in the practical actualization of those ideals.”

He feels as if his consciousness were stretched out of shape in a certain way, as muscles might be if you used them in a new manner.

Tree shapes and an arch. [...]

[...] Tree shapes and an arch. [...]

[...] You could, if you wished, condense your consciousness until it was small enough to travel through a single molecule, and from the molecule’s own world look out and survey the universe of the room and the gigantic galaxy of interrelated, ever-moving starlike shapes. [...]

[...] It showed a life-size, full-face figure of Bill Gallagher wearing a long dark coat, as he stood against a somewhat stylized outdoor background of pyramid shapes in bright colors—either tempera or acrylics.

[...] Jane was in good shape, and ate a good lunch. [...]

[...] You cannot compel a body to be ideally healthy—meaning never indisposed in any way, shape or manner, freed from the slightest ill.

[...] The feeling is the important thing for from it the pyramid shape will of itself form. [...]

You are constantly changing the form, the shape, the contour, and the meaning of your physical body and most intimate environment, although you do your best to ignore these constant alterations. [...]

(I’ve finished typing last Monday’s session, and have 5 pages done on Tuesday’s, so were in good shape now with only Wednesday’s to do. [...]

[...] That has passed, but Jane is in poor shape; her decubiti are much more aggravated, and have been for some time. [...]

[...] Others will be simply shapes that change swiftly and seem to flow one into the other. [...]

[...] The instrument “sort of looked like —I can’t really do it—the shape I’m getting is of a very rough pistol shape.... [...]

5. As an artist I’m so used to observing our physical world in terms of forms, colors, shadows, shapes, and “negative shapes” — the patterns formed by areas between and around shadows or objects — that I sometimes have to remind myself of the obvious: that each individual in the world perceives it from his or her own viewpoint. [...]

The body has a certain shape. [...]

[...] Jane now described an effect of this evening in which she seemed to experience a horizontal projection, again of a triangular shape.