“Seth material” search engine (Jane Roberts)

[...] There are a series of steps of stone, leading to a large building. [...]

[...] Rembrandt did do business with a wealthy art collector in Sicily, selling him some very famous works—Aristotle Contemplating the Bust of Homer, etc., and a series of etchings late in life. [...]

[...] She said she felt that in this section Seth would have a series of exercises related to the one he’d just given, these would help people glimpse at least some of the alternate or probable realities discussed in Section 4.

As I prepared to sleep this afternoon I had my third vision in the series. [...]

(At 3:40 Jane began a series of foot motions. [...]

If the image of a landscape appears instead, then ask for a series of such images, that will again somehow point the way toward recovery, or toward the resolution of the problem. [...]

His people series is a step to something else, a good and necessary step from which a new development will mature. [...]

[...] A series of such lapses accentuate the condition of course. [...]

[...] She referred to the continuing series of changes — improvements — taking place all through her body. [...]

It is very difficult to try to explain the nature of any event, or the ways in which any given specific mental attitude can release or inhibit the expression of any given series of events. [...]

[...] Life becomes a series of habits, and in the mentally ill, for example, you may have seemingly meaningless habits, compulsively performed. [...]

[...] Jane cried again, and kept on making a series of low moaning sounds, eyes closed, as I worked with the leg. [...]

[...] Identity or continuity of the self is retained and strengthened in a series of simultaneous events, with value fulfillment foremost insofar as purposeful action is concerned.

[...] In the lower right hand corner of the back of the leaflet is a series of numbers, code numbers referring to date of printing, etc.

You will do a series of portraits of one man, each one depicting a different materialization of his personality in various existences. [...]

[...] I am also to have a series of seven such dreams.)

Yet every so often in this series I’ll be including sessions that are also of more outgoing subject matter—more like the sessions in Jane’s published Seth books. [...] When we get to the Rembrandt material in this series I’ll offer my interpretation of Jane’s very interesting world-view material.

[...] How strange, I found myself thinking as I prepared to write this introduction, that 37 years would pass before I’d start publishing this series of personal sessions and excerpts that had been dictated by my wife, Jane Roberts, for Seth, the “energy personality essence” she spoke for while in a trance state.

[...] An immodest statement, I submit, but I’m proud to have shared in her creativity, and I offer The Personal Sessions series as a testament to what she sought to accomplish in all of her writings—and did indeed accomplish, in my opinion. [...]

[...] It will also be rather unorthodox—more like a series of conscious and unconscious reminiscences and free associations, moving back and forth in time as I approach sets of ideas from various angles while seeking to learn more about my wife even now, 18 years after her death. [...]

[...] He also asked Jane to speak to a series of meetings in the Berkshires [in MA] toward the end of June.)

[...] Physical reality is constructed from what seems to be a series of physical acts. [...]

During this session hiatus I’ve been spending much time upon a series of letters to the publishers of Seth Speaks in Switzerland and in the Netherlands, as well as to those in charge at Prentice-Hall.¹ Last Saturday night we had a very interesting meeting with a psychologist from New York City. [...]

[...] I thought they’d been [perhaps unwittingly] oriented in certain negative directions—that is, the one taking the test has to choose from a series of more or less negative possibilities, listing specific choices in an order that depends upon his or her personal belief systems—I think.

[...] (See the 497th session, for July 7, 1969.) It is the dream of the sands, and I mentioned the series of dreams earlier. [...]

[...] She described it to me at breakfast Saturday morning, mentioning the impression it had made upon her, but without connecting it to Seth’s series of seven dreams.)

(Here I referred to the series of portraits, most of them not finished, on the shelf in my studio.)

(Actually, each sketch, perhaps four inches square, was done to solve technical problems I was concerned with in the series of portraits I am painting. [...]

[...] She made a small series of general motions. [...]

[...] Afterward she described a series of “experiences” she’d had after I left her last night. [...]