“Seth material” search engine (Jane Roberts)

(The oil head in question sits in my studio, still unfinished and has been seen by Jane often. One note of interest; technically speaking the oil colors I use contain no color named sepia, specifically, though, of course, a range of earth reds and browns are included. Sepia is a brown. The specific word sepia is more often attached to watercolors, as far as I know, than to oils. Jane also has used both watercolor and oil, as I have; and my watercolors do contain sepia.

Some further here with sepia—to achieve something different now, a sunny clear effect, a newness, a way of applying sepia with white; thin-layered, with a particular kind of varnish... (Pause.

Now I am through with what I intended to say. You may end the session or ask any questions that you have. First give me one moment here. (Pause.) This is for you. (To me.) We will try to get it clear. Do not use sepia with too heavy a hand.

(I said this because I feared the sepia explanation might be a lengthy one. See page 35 for material and notes concerning the present status of this question of sepia and Van Elver.)

[...] (Pause.) Do you want an explanation concerning the sepia episode, or do you want, now, some material concerning the entity and time?

Near city of Sepia.

[...] As we wondered whether Sepia still existed.)

I have nothing, now, on sepia.

(See the 424th session of July 29, and the discarnate Van Elver’s suggestion that I not use sepia—Seth pronounces it say-pia—with too heavy a hand. [...]

[...] “Van Elver and the use of sepia.”)

[...] In the 424th session of July 29, Seth said Van Elver, whose portrait I have recently painted, left a mental message for me; to the effect that I shouldn’t use sepia with too heavy a hand.

Our friend the artist (Van Elver; see the data last session regarding sepia) is not available this evening, but if you make the point of reminding me before sessions, I will see that we get more information for you.

(In line with a policy of trying to keep abreast of topics brought up during sessions, I mentioned to Jane this evening that I would like more data from Van Elver via the “sepia” discussion, begun in the 424th session; and some data about Jane’s impressions concerning the dream book when it was at Parker. [...]