“Seth material” search engine (Jane Roberts)

[...] We have learned that data should be considered sentence by sentence, without considering the whole body of material as necessarily related. [...]

[...] It never occurs to him to wonder how many vowels or syllables, words and sentences, paragraphs or pages might be involved. [...]

Again, it may seem too simple — but by applying the same methods to the body, the body’s health will be written with health and vitality, using blood and corpuscles, joints and ligaments and so forth instead of syllables, consonants, words and sentences.

[...] (I left out a few sentences, then.)

[...] “I probably won’t have more than a sentence or two.”)

[...] She said that she was doing well — obviously — then added that when she spoke a sentence for Seth she also sensed the other sentences to come, or those around the spoken one. [...]

[...] When you pay attention to Framework 1 primarily, it is as if you have learned to write simple sentences with one word neatly before the other. [...] In your life you are writing sentences like “See Tommy run.” [...]

[...] A minute or two before the session began Jane told me that she had a “glimmer” from Seth — a few sentences. [...]

[...] Jane would deliver a sentence, then pause longer than usual, so that her accustomed rhythm was a little off.)

(Seth slipped up in the first sentence of this paragraph; being busy writing, I did not catch it at the time. [...]

[...] She remembered the last sentence Seth spoke. [...]

[...] The last sentence echoes what I wrote in one of the essays for Dreams.)

[...] As usual this new voice ended sentences on an unexpected upbeat, so that often a sentence was finished and a new one begun while I was writing without appropriate punctuation; then I would go back and add it in the proper places.

(John muttered a sentence here. [...]

[...] Remind him, for the 100th time, that he can trust his inner self implicitly, and does not need to set up guards against its spontaneity, for spontaneity is his life, and the source of his creativity; and underline that sentence.

[...] Underline the following sentence: It is safe for him to let go completely now. [...]

You had better underline that sentence.

[...] Her eyes were heavy and bleary; she said the trance had been a good one after the first few sentences. [...]

Take the last few sentences and apply them creatively. [...]

(I did not get the first few sentences down, but most of the following is verbatim.)

(I did not get the first few sentences down, but most of the following is verbatim.)

[...] Like a simple sentence unmodified by qualifiers.

(Louder:) That last sentence is not beyond your abilities. [...]

[...] Have Ruburt pay particular attention to the last several sentences.

Seth’s sentence structure has not been changed either, except in occasional instances. (A few times I made two sentences out of one long one, for example.) Much of the punctuation was indicated by Seth. [...]

Seth’s sentences are often long, particularly for verbal delivery, yet he never gets lost or loses touch with syntax or meaning. [...] After the first few sentences, I had great difficulty in remembering what I’d said, or how I expressed it.)

[...] And here again, her first few sentences answered the question in my own mind.)

(At 10:22 the TV serviceman knocked on the door, just as Jane finished the above sentence. [...]

[...] I did not receive whole sentences from her, but often would seem to pick out the exact words of a phrase just before she gave voice to them.)

[...] Yet she roused herself: “I’ve got the first sentence, I guess.” [...]