“Seth material” search engine (Jane Roberts)

[...] Jane reported that she was pretty well dissociated, but recalled the last few sentences with a smile. [...]

[...] No more than a sentence came until that was written down.

Along with the last sentence, I saw an image that is difficult to explain. [...]

[...] My “now’s,” beginning a sentence, are often simply cues to you, and need not necessarily go along with our script.

[...] (See my closing notes for the last deleted session.) The “my” there, in that sentence, refers to the socially inoculated man. [...]

What you have seen lately are just beginning sentences in Ruburt’s condition. [...]

You may perceive the thought patterns as quickly flashing sentences or words that are usually seen within your mind or within the other mind, or as black letters that form words. [...]

[...] See how prim that last sentence would sound if it were merely written down without the lively, slightly sardonic inflection which I manage to give to Ruburt’s voice?

Simultaneously, each of your past and future selves dwell in their own way now, and for them the last sentence also applies. [...]

[...] Both last sentences are important.

[...] A few moments later, when he came through Seth took up where he’d left off in mid-sentence:)

[...] The characteristics of the animals were understood to continue “life,” adding their qualities to the experience of the self in a new way.³ You had better put “life” in quotes in that last sentence.

[...] Jane stopped dictation in the middle of a sentence. [...]

[...] a small town... (a few missing sentences)...Three children who died before the age of three, and records, I believe, attesting to this fact... [...]

(Beginning of sentence lost) ... [...]

[...] The last part of that sentence is important.

[...] In one sentence Augustus would make a statement, and ten minutes later make it clear with another remark that the first fact had not been true.

[...] Material on any given subject may start, go on for a while, then either stop almost in mid-sentence or “evolve” into another topic. [...]

[...] No matter how far you journey — on a motorcycle, in a car or plane, or on foot — (gesturing to me as Seth, Jane then changed the sentence) by bicycle or camel, or truck or vessel, still you are the wanderer, and the land or ocean or desert is the environment through which you roam. [...]

[...] A nasal voice, he used frequent extra breaths between words or sentences and many ahs between words, you see, or syllables, as: well—ah—.

[...] Now, when you get a copy of the session underline this sentence. [...]